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YOU CAN STOP HUMMING NOW

A DOCTOR'S STORIES OF LIFE, DEATH, AND IN BETWEEN

An enthralling reminder that behind every medical advance are the people whose lives it affects and that their stories have...

An unflinching report from the front lines of critical care medicine, a technology-driven field in which doctors routinely save patients’ lives—sometimes at great cost to their physical and mental health.

Incredible advances in medical technologies and treatments have created a new class of patient: those who survived a significant illness because of an emergency intervention. Such interventions may include surgery to help your lungs breathe, your heart pump blood, or your kidneys process waste. Often, a machine keeps you alive. Only a minority of patients who undergo such procedures make it home, and even fewer return to lives that resembled those they lived before they spent time in the hospital. Yet critical care gives patients and their families hope, and many people choose without hesitation to undergo any procedure that may extend their lives. Lamas, a critical care doctor and faculty member at the Brigham & Women’s Hospital and Harvard Medical School, moves beyond the hospital to tell the stories of these survivors. Through beautiful storytelling, she traces the lives of patients after the initial relief of being alive is shadowed by the new reality of recovery and self-care. One mother waited years to receive a lung transplant and would have died waiting were it not for a machine that could oxygenate blood outside of her body, bypassing her lungs and heart. Then there is the popular neighborhood father who would do anything for a new kidney and a grandfather who plugs into the wall every night to keep his heart pumping blood so he can get to know his grandson. Without exception, each of the people the author met is exceptionally motivated to make the most of his or her second chance. Their stories are heart-rending and inspiring, and it is evident that Lamas is deeply moved by the consequences of the actions she and other doctors take every day.

An enthralling reminder that behind every medical advance are the people whose lives it affects and that their stories have impact.

Pub Date: March 27, 2018

ISBN: 978-0-316-39317-1

Page Count: 256

Publisher: Little, Brown

Review Posted Online: Dec. 23, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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