by Danielle Allen ‧ RELEASE DATE: Sept. 5, 2017
A searing memoir and sharp social critique marred only slightly by the author’s excessive self-flagellation.
A professor turns to her family to offer a powerful memoir revolving around her younger cousin, who was murdered at the age of 29.
Allen (Director, Edmond J. Safra Center for Ethics/Harvard Univ.; Education and Equality, 2016, etc.) adored her cousin, Michael Alexander Allen, who possessed a winning personality and wide smile. Although he had the potential to succeed in school, Michael turned to petty crime at a young age and was convicted of a felony at 15. The author blames herself for failing to halt Michael’s wildness, and she condemns the criminal justice system for punishing Michael as an adult instead of a juvenile. Her critique of juvenile detention centers and adult prisons is convincing. Racial discrimination alone did not yield all of the injustices aimed at Michael, but they certainly contributed. When he won his freedom after 11 years in prison, he declared that he would become successful; the author believed him and offered him extraordinary help with a job search, rental housing, and college applications. However, she had no clue that Michael was leading a triple life: the “good” Michael was also deeply involved in crime and in a stormy relationship with a lover prone to violence. Allen details the circumstances of the murder and then offers flashbacks as she pieces together the circumstances of Michael’s life, foreshadowing its violent end. Much of the evidence offered through the flashbacks derives from Allen’s personal involvement in her extended family’s history. Some of the knowledge, however, comes from Allen’s decision to act as an investigative journalist, sharing what she learned from her aggressive reporting, no matter how unpleasant her findings. As the author chronicles her discoveries about how much Michael successfully hid from her, she is sometimes unduly hard on herself.
A searing memoir and sharp social critique marred only slightly by the author’s excessive self-flagellation.Pub Date: Sept. 5, 2017
ISBN: 978-1-63149-311-9
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: April 29, 2017
Kirkus Reviews Issue: May 15, 2017
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by Ruth Bader Ginsburg with Mary Hartnett & Wendy Williams ‧ RELEASE DATE: Oct. 4, 2016
Only the most dedicated Ginsburg fans, and there are many, will devour everything here, but most readers will find items of...
From the second woman ever appointed to the Supreme Court, a collection of writings ranging from the slight to the serious.
Now 83, women’s rights icon Ginsburg nears the close of her distinguished career as a law professor, appellate advocate, judge, and justice, arguably having done more to move our law in the direction of gender equality than any living person. Now, as two Georgetown Law professors, Hartnett and Williams (emerita) prepare her official biography, they have collected Ginsburg’s speeches, lectures, articles, and opinions, some on offer here. They preface most of this material with explanatory, wholly complimentary notes and begin with a chapter of juvenilia, demonstrating Ginsburg’s early interest in human rights and in preserving individual liberties. Passages devoted to “the lighter side” of life at the Supreme Court include, for example, Ginsburg’s musings on lawyers depicted in opera, not least her own “starring” role in Scalia/Ginsburg. There follows a section on “waypavers” and “pathmarkers,” Ginsburg’s tributes to, among others, Belva Lockwood, the first woman admitted to the Supreme Court Bar, Gloria Steinem, “the face of feminism,” and Sandra Day O’Connor, the court’s first woman justice. Especially good are the author’s observations on the court’s “Jewish seat” and her charming lecture on four notable Supreme Court wives. These, and many other agreeable selections, are characterized as “remarks,” delivered and often recycled for various audiences. The collection also contains numerous bench announcements, summaries of some of Ginsburg’s most consequential opinions and dissents, and a few revealing essays that offer keys to her jurisprudence: for example, her perspective on the role of dissents, the value of consulting foreign law, and the wisdom of “measured motions” by the judiciary, wherein she mildly criticizes Roe v. Wade for provoking a backlash and halting “a political process that was moving in a reform direction.”
Only the most dedicated Ginsburg fans, and there are many, will devour everything here, but most readers will find items of interest from this icon of women’s rights.Pub Date: Oct. 4, 2016
ISBN: 978-1-5011-4524-7
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Aug. 24, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by Ruth Bader Ginsburg ; edited by Corey Brettschneider
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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