by Danielle Steel ‧ RELEASE DATE: Oct. 30, 2007
Similar to a fast-food meal, the book won’t meet daily nutritional requirements and just might leave you with a bellyache.
A San Francisco earthquake shakes up the lives of three women in the latest from Steel (Bungalow 2, 2007, etc.).
A nun, a rock ingénue and a socialite collide on the night of a disastrous earthquake—and, no, it’s not the start of a joke. Sarah, a perfectly groomed yummy-mummy, is the volunteer in charge of the Littlest Angels Ball, a large fund-raising black-tie event for a local hospital. Melanie is the hired talent for the night, a teenage rock star who’s fed up with being pushed around by her domineering mother/agent. Finally there’s Maggie, the spunky redheaded nun with a heart of gold that tends to San Francisco’s homeless and only scored a ticket to the swank event thanks to a generous friend. When the quake strikes (and it’s a doozy), the carefully constructed lives of the three ladies crumble like a deck of cards. Sarah’s husband is exposed as a fraud when the quake’s resulting power outage keeps him from hiding his illegal financial maneuvers. His misdeeds cost the family dearly and Sarah has to come to terms with just how much loyalty she owes the man she once adored. Thanks to the resulting chaos of the natural disaster, Melanie gets the chance to escape her mother’s watchful eye and act like a normal college-age kid. She volunteers at the victims’ shelter, eats junk food and makes non-industry friends. The change of venue does the pop princess good: it seems Melanie is well on the way to independence. Maggie’s future is more uncertain. While working with the injured and frightened, Maggie crosses paths with a handsome photographer. The seemingly mismatched pair fall in love and must decide if they want to place their bets on a future together. The characters are paper-thin (Maggie is especially laughable and scantily developed) and the plot manufactured.
Similar to a fast-food meal, the book won’t meet daily nutritional requirements and just might leave you with a bellyache.Pub Date: Oct. 30, 2007
ISBN: 978-0-385-34023-6
Page Count: 336
Publisher: Delacorte
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2007
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by Rebecca Yarros ‧ RELEASE DATE: Feb. 26, 2019
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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by Nora Roberts ‧ RELEASE DATE: March 23, 1998
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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