by Danielle Steel ‧ RELEASE DATE: May 1, 1998
Steel (The Ranch, 1997, etc.) actually manages to minimize child abuse in this saccharine take on tragedy. Poor little Gabbie is not only a victim. She is the Victim's Victim. Her wealthy mother Eloise feels jealous of her: She abuses Gabbie almost daily for the first decade of her life. She starves her, smashes her dolls, and breaks her ribs every Christmas. She bruises her kidneys and cuts up her face. But Gabbie's emotional wounds are even worse, for Eloise has persuaded her that everything wrong with the family is her fault. Meanwhile, Gabbie's father is a prodigious weakling who drinks to forget his terrible home life, eventually deserting both daughter and wife. In what is probably an act of mercy, Gabbie's mother runs off with another man and abandons the girl at a Manhattan convent. To protect herself from a malevolent world, Gabbie decides to become a nun. But the world has other plans for this girl whose tribulations make those of Job look like chopped liver. She falls in love with a priest and becomes pregnant (after all, what do priests know about condoms?). The priest then commits suicide; after a painful miscarriage, Gabbie almost dies. To top it off, the church forces her out of the convent with only $500 and two badly tailored dresses to her name. She's seduced by a con man, then robbed and beaten within an inch of her life. At this point, Gabbie decides to be a victim no longer. She tries to find her mother, visits her father, and conveniently meets a nice young doctor. After her bruises heal, the physician (unsurprisingly) falls in love with her. Steel goes to battle with yet another worthy cause, but her good intentions this time fizzle in a sea of Åber-melodrama.
Pub Date: May 1, 1998
ISBN: 0-385-31956-8
Page Count: 408
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Josie Silver ‧ RELEASE DATE: Oct. 16, 2018
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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BOOK TO SCREEN
by Nora Roberts ‧ RELEASE DATE: March 23, 1998
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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