A fast-paced read featuring a smart, young protagonist.
In McClean’s debut middle-grade novel, a 12-year-old Caribbean boy must save the day when he discovers danger lurking in the forest in the first installment of the Secrets of Oscuros series.
Jason “JV” Valentine lives on the Caribbean island of Alcavere with his grandmother, Granny B, the town’s herbal healer. JV has always had a longing for travel and adventure and decides that during his vacation, he’ll explore Oscuros, the mystical, forbidden forest on the outskirts of town. Despite the mystery and superstition surrounding Oscuros, JV is unafraid. He’s frequently accompanied Granny B on trips there to pluck herbs and flowers and “often…felt a strange pull from the forest—as if an unseen force wanted to usher him deeper in, away from his grandmother, his home, and his village.” But when Adelle De Couteau, a neighborhood girl, goes missing in Oscuros, tensions run high, and JV’s friends urge him not to return there. Then the boy overhears a neighbor say that Granny B found the abandoned, infant JV in Oscuros long ago. He’s shocked, as it reveals that everything that his grandmother had ever told him about his traveling, adventurer parents was a lie (including their handwritten letters, likely written by Granny B herself). But as JV wanders deeper into the forest, he stumbles upon a dangerous operation and receives assistance from an unlikely supernatural ally. Overall, JV’s side story about discovering his true parentage could have been fleshed out a little more. That said, he remains a consistently strong character throughout this tale and one whom readers will root for. McClean effectively infuses Caribbean elements into the text, including specific elements of Trinidadian folklore and culture. For example, JV’s aforementioned encounter with Papa Bois, the titular protector of the forest, is an integral part of the plot. Additionally, the text is peppered with local words and phrases (such as “Bless my eyesight,” meaning “I can’t believe my eyes”), which helps to create an authentic setting. McClean also provides a helpful glossary of terms at the end of the book.
A fast-paced read featuring a smart, young protagonist.Pub Date: May 4, 2017
ISBN: 978-0-9978900-7-5
Page Count: 180
Publisher: Caribbean Reads Publishing
Review Posted Online: April 26, 2017
Kirkus Reviews Issue: June 1, 2017
Review Program: Kirkus Indie
A picture book made to incite pleasure and joy.
The celebrated picture-book artist enthusiastically joins the nonsense tradition.
Carle’s nearly 50-year career has produced myriad concept books about counting, the alphabet, and colors, as well as simple, original stories, retellings of fairy tales, and picture books that push the physical boundaries of the form. This latest proves that Carle can reinvent himself as a creator in the field, as he now revels in the absurd, eschewing any pretense of teaching a concept or even engaging with story. Instead, spread after spread uses nonsensical text and sublimely ridiculous pictures to provoke laughter and head-shaking delight. In addition to the book’s title, art immediately cues the book’s silly tone: the cover displays one of Carle’s signature collages against an empty white background; it depicts a duckling emerging from a peeled-back banana peel. The title-page art presents a deer sprouting flowers rather than antlers from its head. When the book proper begins, and language joins illustration, readers are ushered into a series of situations and scenarios that upend expectations and play with conventions. “Ouch! Who’s that in my pouch?” asks a kangaroo with a little blond child instead of a joey in her pouch. Another scene shows two snakes, joined at the middle and looking for their respective tails.
A picture book made to incite pleasure and joy. (Picture book. 3-7)Pub Date: Oct. 13, 2015
ISBN: 978-0-399-17687-6
Page Count: 40
Publisher: Philomel
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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Dahl describes all this unredeemed viciousness with a spirited, malevolent glee that plays shamelessly, and no doubt...
The nasty streak that lurks in Dahl's stories for adults and children comes out with a vengeance in his characterization of Mr. and Mrs. Twit and the nasty tricks they play on one another.
Dahl's first sentence—"What a lot of hairy-faced men there are around nowadays"—might suggest that the manuscript has been sitting in a drawer for a decade; but if so it hasn't mellowed. Dahl will lose most reading-aloud adults straight off with his description of all the disgusting leftovers more or less permanently lodged in bathless Mr. Twit's beard. Ugly Mrs. Twit with her ugly thoughts is no more attractive. She puts her glass eye in her husband's beer glass and "cackles" (she would cackle) "I told you I was watching you. I've got eyes everywhere." He in turn puts a frog in her bed. She feeds him worms for spaghetti. He, borrowing an old ploy, gradually builds up her walking stick so she'll think she is shrinking. To cure her of the purported "shrinks" he subjects her to a stretching—which, however, backfires for him. Then Dalai turns to the birds, whom Mr. Twit catches for his pies by putting glue on their tree branches. The Twits also keep a family of monkeys they train to perform upside down. At last the birds and monkeys do in the Twits with an ingenious punishment that fits their crimes.
Dahl describes all this unredeemed viciousness with a spirited, malevolent glee that plays shamelessly, and no doubt successfully, to kids' malicious impulses and unmerciful sense of justice.Pub Date: March 1, 1981
ISBN: 014241039X
Page Count: 76
Publisher: Knopf
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: March 1, 1981
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