Despite lovely art, a stereotypically generic and romanticized portrayal of indigenous people.

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ARCTIC WHITE

The Arctic winter is white and gray until something special happens.

“When you live in the Arctic in winter,” opens the second-person narration, “everything is a shade of white.” “You” are a young girl, longing for color. White hues are described—blue-white tundra, the yellow-white of the polar bear, the silver-white of the arctic fox—and outsize, delicate snowflakes drift down. One night, “you hear a hum in the air,” and grandfather takes you walking on the tundra to see the northern lights, lush color swaths across the sky. Illustrator White uses watercolor on textured paper to give the snow’s surface a gentle nubbiness and depth. Ink delicately outlines human and animal figures. However, setting and culture are unclear. A modern paint box, a bound book, and a flashlight, together with the second-person, present-tense address (placing readers inside the story), imply a contemporary setting, but this girl lives a nonindustrialized life in an iglu, even though most contemporary indigenous Arctic people live in houses. The lack of any specific indigenous nation and some faux Native philosophy—“Grandfather says hope is golden. You can only see it when you look into a snowy owl’s eyes”—add to the romanticized Native image. Jan Bourdeau Waboose’s SkySisters (2000), an Ojibwe story about walking across tundra to see the northern lights, is a better choice.

Despite lovely art, a stereotypically generic and romanticized portrayal of indigenous people. (Picture book. 3-7)

Pub Date: Jan. 5, 2016

ISBN: 978-1-62779-104-5

Page Count: 32

Publisher: Henry Holt

Review Posted Online: Sept. 21, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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