An intimate perspective on Cobain’s short life, told in the spirit of burnishing a friend’s legacy.
A sentimental but precisely rendered account of the life of Nirvana’s Kurt Cobain by one of his first music industry backers.
Goldberg (In Search of the Lost Chord: 1967 and the Hippie Idea, 2017, etc.) was a key player in the 1990s alternative rock explosion, moving from his management agency, Gold Mountain, to Atlantic Records. In between, he connected with Nirvana when the Seattle band was young, untested, and hungry. He recalls those early days: “Kurt connected very deeply with the audience….It was a particular form of rock ’n’ roll magic I’d never witnessed before.” Regarding his role in the band’s meteoric rise following 1991’s “Nevermind,” Goldberg re-examines old debates about “selling out” and the industry’s role in dispersing the regional punk-rock underground. Admitting his unfamiliarity with the scene that inspired the young Cobain, the author’s writing is most acute in revealing the complex machinations of the ’90s pop music industry, which was reliant on radio and MTV. As Goldberg shepherded Nirvana to David Geffen’s DGC Records, he recalls, “in marketing terms, the band wanted to keep its credibility with its early fans while also pulling in lots of new ones.” The author provides a close-up take on the familiar tale of what happened next, covering Cobain’s contradictory, sometimes-hostile responses to stardom, his attempts to stay true to an artistic vision, and his distress regarding media coverage of his marriage to Courtney Love. He focuses on Cobain’s loyalty to his circle, kindness, generosity, and artistic temperament. Though he mostly elides examination of his flaws, Goldberg acknowledges they were always part of his creative development, and he provides a terse account of Cobain’s sad, chaotic decline. Cobain returned Goldberg’s regard, calling him “the most honest man in show biz.” Some will note the author’s continued loyalty to the perspective of Love, a controversial figure for many Nirvana fans; still, Goldberg comes off as likable, a successful insider still befuddled by Cobain’s demons.
An intimate perspective on Cobain’s short life, told in the spirit of burnishing a friend’s legacy.Pub Date: April 2, 2019
ISBN: 978-0-06-286150-4
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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