THE UNION SQUARE CAFE COOKBOOK

150 FAVORITE RECIPES FROM NEW YORK'S ACCLAIMED RESTAURANT

The perennially popular Union Square Cafe's trademark is its use of the freshest ingredients and high style combined with warm hospitality, and this book relies on the same principles. Owner Meyer and chef Romano successfully translate recipes from restaurant to home scale, although the use of mise-en-place— listing ingredients in the form in which they will be used—is off- putting (i.e., readers may find themselves in the supermarket trying to puzzle out how many peppers equal ``1 cup sliced bell pepper''). Still, all of those recipes tested, from creamless mushroom soup to sweet and spicy bar nuts, were tasty and inventive. Meyer and Romano have generously included most of their signature dishes, including fabulous fried calamari with an unusual graham cracker crumb crust and their most popular dessert, baked banana tart. There are some simple dishes here, but more are multitiered, full-day projects, like the lasagne layered with goat cheese and vegetables that are baked separately beforehand; detailed instructions are broken down into manageable steps. Introductory information is sensible and helpful, and the advice for pairing wines with food has to be some of the least pretentious—yet still educational—oenological writing ever. When Meyer admits that opening night was less than spectacular, he clinches the title of humblest restaurateur around. Destined to become a foodie bible, and with good reason. (40 color photos, not seen)

Pub Date: Oct. 1, 1994

ISBN: 0-06-017013-1

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

more