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NOTES ON AN EXECUTION

A slow-paced portrait of a condemned serial killer and the women who disappointed him.

A murderer on death row awaits his execution.

Ansel Packer has 12 hours to live. Emotionally detached from the deaths of Izzy Sanchez, Angela Meyer, and Lila Marony, the three girls he murdered almost 30 years ago, he's chiefly focused on the escape plan he's made with Shawna Billings, a prison guard, and his manifesto, in which he philosophizes about the nature of good and evil in the human psyche. While the clock ticks, Ansel is moved from Polunsky, his prison of the last seven years, to the Walls Unit, the last stop before his execution. Meanwhile, an earlier timeline presents the stories of Lavender, Ansel's lonely and abused mother, who abandoned him; Hazel, the twin sister of Ansel's former wife, Jenny Fisk, whom he may—or may not—have murdered; and Saffron Singh, a New York State police investigator, who has her own disturbing history with Ansel. Ansel is a chilling, creepy monster, tormented by memories of his mother and baby brother and hoping for sympathy that's never quite realized. The women's stories contain too much extraneous information and generally lack the emotional depth they need to compete with Ansel's fascinating creepiness. The backstory-heavy structure results in a slow pace whenever Ansel isn't present. His moment-of-death epiphany feels forced and is ultimately unconvincing. As a result, the promise of the intriguing premise in the early chapters isn't sustained. An epilogue that imagines the unlived lives of the murdered girls subtracts more than it adds.

A slow-paced portrait of a condemned serial killer and the women who disappointed him.

Pub Date: Jan. 25, 2022

ISBN: 978-0-06-305273-4

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WE BURNED SO BRIGHT

An existential crisis that steps on its own final moments.

With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.

After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.

An existential crisis that steps on its own final moments.

Pub Date: April 28, 2026

ISBN: 9781250881236

Page Count: 176

Publisher: Tor

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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