A great book about race and a great book all around.
Khalil and Maria, biracial Stanford graduates whose Martha’s Vineyard wedding will be featured in the New York Times, hit a bump in the road when Maria develops a crush on another man.
Khalil Mirsky is the dreadlocked, Hacky Sack–playing son of a Jewish man and an African-American woman, “the only black guy at the frat party—the Hootie in his Blowfish.” Maria Pierce is so light that white people make racist jokes in front of her, thus suffering “that particular rage of the light-skinned individual,” as her black adoptive mother puts it. From the moment they get together, Khalil and Maria are the “King and Queen of the Racially Nebulous Prom,” their skin “the same shade of beige”—or as Khalil describes it to the woman filming them for a documentary called “New People,” “a Woody Allen movie, with melanin.” Maria is more cynical about their biracial fairy tale, their Brooklyn lifestyle, the future baby they'll name Indigo or Thelonious Mirsky-Pierce, "the messiah of Mulatto Nation.” Her second thoughts take the form of an obsessive crush on a poet who is not a New Person, a “brown-skinned black boy with a shaved head…the body, the skin, the face that cabdrivers pretend not to see.” Senna’s (You Are Free, 2011, etc.) fearless novel is equal parts beguiling and disturbing, and nowhere more so than in a hilarious, ultimately terrifying series of events that begins when a tired white lady mistakes Maria for her nanny, Consuela, and leaves her in charge of her infant. Senna combines the clued-in status details you’d find in a New York magazine article with the narrative invention of big-league fiction. Every detail and subplot, including Maria’s dissertation on the Jonestown massacre and her buried secret about a college prank gone awry, is resonant.
A great book about race and a great book all around.Pub Date: Aug. 1, 2017
ISBN: 978-1-59448-709-5
Page Count: 240
Publisher: Riverhead
Review Posted Online: April 26, 2017
Kirkus Reviews Issue: May 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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