by Darcy O’Brien ‧ RELEASE DATE: April 3, 1998
Intended for a wide audience, this tribute to John Paul II, via a Polish-Jewish friend, verges on the literary equivalent of a dashboard saint. Known for his engaging accounts of true-life crimes (he won an Edgar for Power to Hurt, 1996), O’Brien here celebrates the opposite end of the moral spectrum in the person of the reigning pope. O’Brien wants to show that, hidden behind the image of “moral scourge” that “secular intellectuals” have laid over the pope, is a tireless worker for redress of Christian anti-Semitism. Largely through diaries of and interviews with John Paul II’s Jewish friend since childhood, Jerzy Kluger, who now lives in Rome, O’Brien tells the story of youthful good will between the young Karol (Lolek) Wojtyla, and the Jews of his hometown, Wadowice, Poland; their shared suffering under the Nazi occupation; the pope’s historic visit in April 1986 to Rome’s Great Temple; and the slow process of talks, quietly promoted by Kluger, that culminated in the Vatican’s official recognition of Israel in December 1994. O’Brien acknowledges the widespread impression of Polish anti-Semitism and, especially in his evocations of childhood scenes in Wadowice—one of these shows young Lolek responding enthusiastically to a cantorial concert in the local synagogue—helps to mitigate it. But serious students of Jewish-Christian relations will be disappointed with this sometimes chatty friendship story, which is more assertively Polish-Catholic than it needs to be. When O’Brien calls the French Jewish historian Jules Isaac “the progenitor of all contemporary re-examinations and re-evaluations of Judaism in the time of Christ,” because of his influence on Vatican thought, he ignores the earlier scholarship along the same lines of the Anglican clergyman James Parkes; and Jewish readers will squirm over the descriptive “Polish-American,” applied to Rabbi Abraham Joshua Heschel. As for the pope, filtered here through others’ adoring eyes, he remains as “publicly aloof,” in the author’s words, as his office demands. (25 b&w photos, not seen) (First printing of 250,000; $250,000 ad/promo; feature in Time magazine; author tour)
Pub Date: April 3, 1998
ISBN: 0-87596-478-8
Page Count: 350
Publisher: Rodale
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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