Debut fiction about a hayseed true-crime writer who's in upstate New York to cover a sensational murder trial. He uncovers more than he bargained for in his attempt to fit together the pieces of the victim's life—and ends up falling for the defendant. Before Amerasian Lenore Serian, ``the Black Widow,'' went on trial for killing her volcanic artist husband Bram and torching Arcadia, his sprawling studio, Owen Byrne was writing unpublished short stories in moments stolen from working his family's struggling Kansas ranch. But his agent naturally agrees to send him to Stoatsberg, New York, to gather material for a book on the trial. Owen's wide-eyed innocence gives first-novelist North the opportunity for a primer on all the legal procedures, and if you've never attended a trial or read a book about one, you'll have something to do while you're waiting for Owen—who feels a mysterious kinship to unlovely Bram—to nose out the evidence that draws him into the defense circle's confidence and wins him an exclusive interview with Lenore. Next, building on his information from her and a growing network of contacts, he'll uncover further, darker secrets about Bram's childhood in Kansas (yep, Kansas) with his monstrously abusive father and his adoptive brother Al, who kept returning to Bram's life but mysteriously disappeared after his death; his rescue (or was it an abduction?) of Lenore from Thailand during his tour of Vietnam; and his triumphant years in New York as an unexpectedly gifted sculptor and painter. Meanwhile, Owen will develop problems of his own: Haunted Lenore, who seems to be trying to exorcise Bram from Arcadia, is blowing hot and cold on their torrid romance; and newshound Holly Danielson, stung by his rejection of her own overtures, has smeared the affair all over the tabloids. Painstaking but uniquely uninvolving courtroom scenes, a wildly improbable hero and heroine, and a climactic series of revelations that will surprise only pre-law sophomores.
Pub Date: Sept. 8, 1993
ISBN: 0-525-93634-3
Page Count: 544
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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