North turns from hayseed legal intrigue (Criminal Seduction, 1993) to a push-those-buttons mystery that pits her young heroine against demons that seem to go back through her family tree practically to the dawn of time. Called away from an archeological dig in Guatemala by the news that her father is hospitalized in New York, forensic anthropologist Iris Lanier hasn't a clue why John Lanier ever bought a gun, left his California orchard, and ventured into Riverside Park in the dead of night wearing a wire, only to get shot in the face. As Iris stumbles to establish a routine with the grotesques in her father's apartment buildingethereal musician Isaac Brightman, law student Mitch Hanley, super Rich Andrettiand with Justine Kizmin, the no-nonsense detective on the case, and Nathan Kaliker, the enigmatic head of the foundation that sent her (and, it turns out, Det. Kizmin) to school, she's enmeshed in complications that seem to link five vastly different crimes: (1) the near-fatal assault on her father; (2) the disappearance years ago of her mother, long presumed dead; (3) a fatal terrorist bombing by a fringe group of 60's radicals; (4) the murder of a teenaged girl whose bones Iris reluctantly agrees to look at while she's waiting for her father to come out of his coma; and (5) the stabbing death of the Lady Moonsmoke, the wife of the Mayan Sun God, whose bones Iris was excavating in Guatemala. (Warning: at least one of these crimes turns out to have nothing to do with the others.) North (Criminal Seduction, 1993) pulls out all the stopsmultiplying threats to Iris, invoking wholesale conspiracies, etc.but the result is merely a lot of pulled-out stops, as Iris dashes from California to Atlantic City confronting figures from her family past who spew out secrets of dubious relevance before fading mercifully back into the woodwork. Sprawling, taxing (of time, patience, and belief), and finally exhausting, like a train that stops at every village between New York and Guatemala City. (First printing of 50,000; Literary Guild selection)
Pub Date: Sept. 21, 1995
ISBN: 0-525-93849-4
Page Count: 416
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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