North turns from hayseed legal intrigue (Criminal Seduction, 1993) to a push-those-buttons mystery that pits her young heroine against demons that seem to go back through her family tree practically to the dawn of time. Called away from an archeological dig in Guatemala by the news that her father is hospitalized in New York, forensic anthropologist Iris Lanier hasn't a clue why John Lanier ever bought a gun, left his California orchard, and ventured into Riverside Park in the dead of night wearing a wire, only to get shot in the face. As Iris stumbles to establish a routine with the grotesques in her father's apartment buildingethereal musician Isaac Brightman, law student Mitch Hanley, super Rich Andrettiand with Justine Kizmin, the no-nonsense detective on the case, and Nathan Kaliker, the enigmatic head of the foundation that sent her (and, it turns out, Det. Kizmin) to school, she's enmeshed in complications that seem to link five vastly different crimes: (1) the near-fatal assault on her father; (2) the disappearance years ago of her mother, long presumed dead; (3) a fatal terrorist bombing by a fringe group of 60's radicals; (4) the murder of a teenaged girl whose bones Iris reluctantly agrees to look at while she's waiting for her father to come out of his coma; and (5) the stabbing death of the Lady Moonsmoke, the wife of the Mayan Sun God, whose bones Iris was excavating in Guatemala. (Warning: at least one of these crimes turns out to have nothing to do with the others.) North (Criminal Seduction, 1993) pulls out all the stopsmultiplying threats to Iris, invoking wholesale conspiracies, etc.but the result is merely a lot of pulled-out stops, as Iris dashes from California to Atlantic City confronting figures from her family past who spew out secrets of dubious relevance before fading mercifully back into the woodwork. Sprawling, taxing (of time, patience, and belief), and finally exhausting, like a train that stops at every village between New York and Guatemala City. (First printing of 50,000; Literary Guild selection)
Pub Date: Sept. 21, 1995
ISBN: 0-525-93849-4
Page Count: 416
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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