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THE DAY NINA SIMONE STOPPED SINGING

A pitiless, steely narrative, alternately heartbreaking and compelling.

The story of one woman’s reckless and liberated adolescence in the brutal atmosphere of 1970s and ’80s Beirut.

Al-Joundi’s upbringing was unusual. She was raised by an irreverent, politically outspoken and determinedly secular intellectual father, who, on his daughter’s eighth birthday, got her drunk on a good bottle of Bordeaux. He taught her that bras were symbols of oppression, bribed her into giving up a fledgling effort to keep Ramadan with a shot of whiskey and celebrated her growing sexual promiscuity, offering the scandalous paternal dictum: “never offer your ass up to the sky. Offer it to men as much as you want, but not to the good Lord. You may drink, go out, lose your virginity, but…in my house I don’t ever want to see anyone pray or fast.” The story also widens to take in the scope of the larger cultural moment: the family’s exile in Baghdad and return to Beirut, Al-Joundi’s drug addiction and the years of anonymous sex, the cruelty of war and the omnipresence of death seen through the eyes of a precocious young woman rendered entirely unfit for the world she inhabited. The book begins with her father making her promise that at his funeral no one will read from the Koran, but play Nina Simone’s “Sinnerman” instead. When Al-Joundi keeps that promise, the result is a series of staggeringly cruel betrayals, described in prose that is beautifully taut and relentlessly unemotional.

A pitiless, steely narrative, alternately heartbreaking and compelling.

Pub Date: March 1, 2011

ISBN: 978-1-55861-683-7

Page Count: 144

Publisher: Feminist Press

Review Posted Online: Jan. 8, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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