An engaging meditation on identity and creativity within challenging settings.
Affecting memoir that looks back on surviving a hardscrabble childhood and learning to thrive as a queer black man.
Journalist Moore casts his debut as an open-hearted exploration of faith, fluid sexuality, and the myriad challenges of being a black American when advancement seems elusive as ever. His parents were teenagers, so he grew up among a loving, fractious extended family: “Too many people, which meant there was too much love and there were too many arguments.” The author writes powerfully about his home city of Camden, New Jersey, during an era of crack and decline following the white flight of the 1970s. “To claim love for a city so denigrated by the US media,” he writes, “is to contradict every idea Camden residents have been socialized to accept.” As a child in this rough environment, Moore was perceived as different, making him a target of neighborhood bullies, culminating in a horrific scene where they attempted to burn him alive: “The feeling of embarrassment was as overpowering as the bitter smell of the gas that emanated from my body.” As a teenager, Moore tried to present a front of masculinity while gravitating toward his few courageously out gay classmates as friends. “Queerness is magic for those brave enough to make use of it,” he writes, “but it can feel poisonous for those who have yet to give in to its power.” The author drove himself toward academic achievement, understanding the odds against him. At Seton Hall University, despite exploring both hedonistic hookups and a deepening religious faith, he still felt unsettled as to his identity until he began teaching, later becoming involved in youth programs and activism and finally coming out to his mother. “Her acceptance was more healing than any prayer,” he writes. Moore writes deftly in passages that purposefully meander to present a broad, socially engaged tableau of his experiences, though some of his observations can be repetitive.
An engaging meditation on identity and creativity within challenging settings.Pub Date: May 29, 2018
ISBN: 978-1-56858-948-0
Page Count: 256
Publisher: Nation Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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