An engaging meditation on identity and creativity within challenging settings.
Affecting memoir that looks back on surviving a hardscrabble childhood and learning to thrive as a queer black man.
Journalist Moore casts his debut as an open-hearted exploration of faith, fluid sexuality, and the myriad challenges of being a black American when advancement seems elusive as ever. His parents were teenagers, so he grew up among a loving, fractious extended family: “Too many people, which meant there was too much love and there were too many arguments.” The author writes powerfully about his home city of Camden, New Jersey, during an era of crack and decline following the white flight of the 1970s. “To claim love for a city so denigrated by the US media,” he writes, “is to contradict every idea Camden residents have been socialized to accept.” As a child in this rough environment, Moore was perceived as different, making him a target of neighborhood bullies, culminating in a horrific scene where they attempted to burn him alive: “The feeling of embarrassment was as overpowering as the bitter smell of the gas that emanated from my body.” As a teenager, Moore tried to present a front of masculinity while gravitating toward his few courageously out gay classmates as friends. “Queerness is magic for those brave enough to make use of it,” he writes, “but it can feel poisonous for those who have yet to give in to its power.” The author drove himself toward academic achievement, understanding the odds against him. At Seton Hall University, despite exploring both hedonistic hookups and a deepening religious faith, he still felt unsettled as to his identity until he began teaching, later becoming involved in youth programs and activism and finally coming out to his mother. “Her acceptance was more healing than any prayer,” he writes. Moore writes deftly in passages that purposefully meander to present a broad, socially engaged tableau of his experiences, though some of his observations can be repetitive.
An engaging meditation on identity and creativity within challenging settings.Pub Date: May 29, 2018
ISBN: 978-1-56858-948-0
Page Count: 256
Publisher: Nation Books
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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