Next book

GERONIMO'S BONES

A thought-provoking tale about an Apache’s struggles as well as a rousing romp.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A Native American warrior journeys through the towns, train depots, and wilds of the early-20th-century West in this debut historical novel.

Young Chaco only knows the prisoner-of-war camp in Fort Sill, Oklahoma, where he hears stories about his people’s old ways at the knee of his uncle, the famed Apache chief Goyaalé, known to whites as Geronimo. But Chaco is soon forcibly taken to an “Indian school” in Pennsylvania—leaving behind Goyaalé; his adoptive mother, Aná; and his sister, Bui. He joins the Marines after he graduates, and during a stint in Cuba fighting the 1906 Pacification Campaign, he receives terrible news: Goyaalé is dead. Shaken, he returns to Fort Sill, where he cares for his aging mother and finds out that Bui has ended up in the local whorehouse. His mother also tells him Goyaalé is actually his father and wanted his bones to be taken to the mountains he called home. Shortly after she delivers this revelation, she dies. Chaco is filled with a steely resolve: to break Bui out of the brothel (owned by an unscrupulous proprietor named Alton McDonnell) and to bring Goyaalé’s bones to the mountains. His quest to do so will take all of Chaco’s tactical skill and courage—and a few daring car chases and shootouts—as the resulting manhunt draws lawmen from all over the region. For a story that’s equal parts rollicking adventure and a sensitive account of a Native American’s odyssey in a particular era, Chaco is an ideal protagonist: intelligent, battle-worn, quick on his feet, and occasionally philosophical (“As he stared at the young wolf, it occurred to him that the Indian school had never been about education. It had been about domestication”). Bryant also clearly depicts the extreme racism Chaco faces, which makes his successes all the more satisfying. The book is full of historical details, deftly deployed so that they heighten the action instead of impeding it: People hop on trains, cut telegraph lines, and wrestle with high-maintenance automobiles. Add in a few colorful, nuanced characters along the way, like the cancer-stricken, former Civil War surgeon dwarf Doc Kale, and the novel shines.

A thought-provoking tale about an Apache’s struggles as well as a rousing romp.

Pub Date: April 15, 2017

ISBN: 978-1-938749-42-1

Page Count: 370

Publisher: Enchanted Indie Press

Review Posted Online: May 3, 2018

Kirkus Reviews Issue: June 15, 2018

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 56


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 56


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview