Nefarious bigwigs, collusion, and galactic jumps against a cosmic backdrop; readers should definitely want to come back for...
Interstellar travel is possible in the early 22nd century thanks to a much-desired element that one company controls and others will go to great lengths to take in this debut sci-fi adventure.
TV production assistant Mandisa “Mandi” Nkosi may have a story for her network, courtesy of an anonymous source. Someone’s contacted her with pertinent information about uranium (surrounding a terror plot). Mandi meets Anonymous, who tells of a possible conspiracy that includes the idea that the uranium didn’t originate on Earth but rather Eridani. That planet is where Applied Interstellar Corporation is establishing its headquarters. AIC first discovered hyperium on Saturn’s moon, Hyperion. The element is capable of opening wormholes for traversing star systems. CEO Jans Mikel’s moved AIC to Eridani to put distance between the company and Earth’s Euramerican Coalition government, which wants its shady hands on hyperium. In the last year, five of AIC’s ships have inexplicably vanished, but an emergency jump pod from the most recent vessel suggests a deliberate attack. Back on Earth, someone, it seems, tries to kill Mandi, likely wanting the data chip from her source. She’s saved by Grae Raymus of AIC Security and tags along on the return flight to Eridani, where trouble’s brewing. A sinister group may be targeting Helios, a moon richer in hyperium than Hyperion and which Jans has been keeping secret. Beyer opens his series with a punch, establishing his prospective universe while simultaneously delivering sci-fi action. A chase sequence on Earth and an explosive confrontation on Eridani are exhilarating, but dirty politicking of the future proves most engrossing, particularly Coalition Assemblyman/former Tech Standard Incorporated CEO Gregory Andrews. He’s clearly manipulating the Euramerican president like a puppet, while his suggestion of an ACI-TSI merger may be legitimate. Copious subplots are left unresolved, not the least of which is Mandi’s parents: a father who’s a mystery to her and mom Gisela, who abandoned her as a child but whom everyone, even Grae, apparently knows. There is, however, an unmistakable antagonist threatening Jans and AIC by the end, as well as a big reveal that demands a sequel.
Nefarious bigwigs, collusion, and galactic jumps against a cosmic backdrop; readers should definitely want to come back for more.Pub Date: Feb. 20, 2016
ISBN: 978-1-5301-6408-0
Page Count: 366
Publisher: CreateSpace
Review Posted Online: May 25, 2016
Review Program: Kirkus Indie
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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