An uncommonly intellectual adventure.
A dense, detailed novel about the mysterious city-state of Grimpkin and an outcast’s bid for fortune and glory.
An especially appealing book for addicts of heroic sword-and-sorcery, this bold submission for the approval of the fantasy readership deftly weaves an epic tale out of a byzantine city, an equally complex plot, compelling characters and a sympathetic heroine from one of many intriguing race-cultures that provide the evocative palette coloring Chestney’s original but respectfully indebted mythos. At the novel’s center is the wonderful set piece of Grimpkin, so lovingly rendered that it functions as a character, and at Grimpkin’s center is the Goblin Knight Inn, a rogues’ gallery of sorcerers, soothsayers, swordsmen and shadows where all the energies, myths and black markets coalesce. Grimpkin is a city just outside of time, but with many vestigial traits that keep it from the brink of total anachronism; nice touches include the denizens living by canonical hours and the magic being partly structured on biblical theology. Grimpkin is most broadly racially divided between humans and those creatures considered “Inhuman.” And at the center of the drama is the outcast heroine Lakif who arrives in the city to find a competent swordsman and perhaps the mysterious Rare Earth Stone, the revelation of which is central to what appears to be a planned series of novels. Magic abounds as Lakif pieces together the clues that will lead her to the stone, and her psychic struggles are rendered in the purplest of prose. Indeed, the real star of the show is often the writing that is carefully crafted and linguistically playful (some characters speak in a laconic plain speech and others in a diction peppered with medievalisms). So strong is the prose’s love affair with the settings and characters it describes that there are a few moments when Chestney could be moving things along instead of pounding away at the romance, but these are admirable faults that readers easily forgive in a fantasy market often dominated by formulaic potboilers that are forgotten almost as soon as the covers are closed. This one lingers on.
An uncommonly intellectual adventure.Pub Date: July 1, 2010
ISBN: 978-0984070701
Page Count: 277
Publisher: CreateSpace
Review Posted Online: June 23, 2011
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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