This first in a series ends with the son of Satan and the promise of a grand battle between good and evil, but this opening...
The intended laughs don’t materialize in this supernatural chick-lit whodunit, featuring a back-talkin’ P.I. who sees dead people.
Technically, Charley Davidson is a grim reaper, a term applied to humans (she’s not the only one) who act as a portal for those who need help passing to the other side. To the dead, Charley glows and is an irresistible incentive to leave their worldly attachments. But then there are those with unfinished business, such as the three law partners who were just murdered. Teaming up with her uncle, a detective on the Albuquerque Police force, Charley is remarkably proficient at solving murders—she simply asks the recently departed what happened. But as the three lawyers were shot in the back of the head, they and Charley need real detective work to solve the case. As Charley puts the pieces together (it all hinges on a man wrongly imprisoned for the murder of a teenage boy), she is also wrestling with her own demons—literally. Since her birth, which she vividly remembers, she has been guarded over by an entity she calls Bad. Though he’s responsible for saving her life on countless occasions, Charley is petrified in his presence. This is made all the more confusing by the highly charged sexual encounters she’s been having, first while dreaming and now awake, with a phantom-like presence. She believes her dream-lover to be Reyes Farrow, a young man she once saved, but that he’s in a coma in a penitentiary hospital and that he whispers the name Bad has always used for her, throws everything Charley knows about this dimension and the next into question. Though Jones has created a worthy conceit, her heroine is less than appealing. A little snotty—to both the living and the dead—Charley is an unlikely guide for a series with a foot in the underworld.
This first in a series ends with the son of Satan and the promise of a grand battle between good and evil, but this opening offers little more than a clever premise and a ho-hum murder mystery.Pub Date: Feb. 1, 2011
ISBN: 978-0-312-66275-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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