This collection of 20 stories, most of them out of print for many years, is must reading for hardboiled fans. It doesn’t matter a bit that they don’t live up to the uncritical claims Hammett biographer William F. Nolan’s introduction makes for them, though it would be nice if Hammett handled the heroine’s viewpoint in “Ruffian’s Wife” with the same cool efficiency as the hero’s viewpoint in “One Hour,” or made the O. Henryish “Second-Story Angel” into as sharp an anecdote as the noir western “The Man Who Killed Dan Odams.” What matters is that the editors have preserved between one set of covers all three Sam Spade short stories, seven heretofore uncollected ones starring the Continental Op, a generous sampling of Hammett’s uneven non-series work, and a pair of headliners: the title novella, a fast-moving ode to the city man stranded in the middle of nowhere, and “The First Thin Man,” a 50-page fragment that shows Clyde Wynant’s murder hooked up to a completely different plot without a trace of Nick or Nora Charles. An answered prayer for Hammett fans, and a revelation for any serious reader of detective fiction—even if the revelation is often of how hard Hammett must have worked to spin his Black Mask straw into the gold of Red Harvest and The Maltese Falcon. (Book-of-the-Month Club/Quality Paperback Book Club alternate selection)
Pub Date: Sept. 4, 1999
ISBN: 0-375-40111-3
Page Count: 432
Publisher: Knopf
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1999
Categories: SHORT STORIES
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It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
Categories: SHORT STORIES
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SEEN & HEARD
IN THE NEWS
Superb stylist L’Amour returns (End of the Drive, 1997, etc.), albeit posthumously, with ten stories never seen before in book form—and narrated in his usual hard-edged, close-cropped sentences, jutting up from under fierce blue skies. This is the first of four collections of L’Amour material expected from Bantam, edited by his daughter Angelique, featuring an eclectic mix of early historicals and adventure stories set in China, on the high seas, and in the boxing ring, all drawing from the author’s exploits as a carnival barker and from his mysterious and sundry travels. During this period, L’Amour was trying to break away from being a writer only of westerns. Also included is something of an update on Angelique’s progress with her father’s biography: i.e., a stunningly varied list of her father’s acquaintances from around the world whom she’d like to contact for her research. Meanwhile, in the title story here, a missionary’s daughter who crashes in northern Asia during the early years of the Sino-Japanese War is taken captive by a nomadic leader and kept as his wife for 15 years, until his death. When a plane lands, she must choose between taking her teenaged son back to civilization or leaving him alone with the nomads. In “By the Waters of San Tadeo,” set on the southern coast of Chile, Julie Marrat, whose father has just perished, is trapped in San Esteban, a gold field surrounded by impassable mountains, with only one inlet available for anyone’s escape. “Meeting at Falmouth,” a historical, takes place in January 1794 during a dreadful Atlantic storm: “Volleys of rain rattled along the cobblestones like a scattering of broken teeth.” In this a notorious American, unnamed until the last paragraph, helps Talleyrand flee to America. A master storyteller only whets the appetite for his next three volumes.
Pub Date: May 11, 1999
ISBN: 0-553-10963-4
Page Count: 288
Publisher: Bantam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1999
Categories: SHORT STORIES
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