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ABNER & IAN GET RIGHT-SIDE UP

A very funny read-aloud done (mostly) right-side up.

Take reading for a spin (literally) with the newest metafictive comedy duo, Abner and Ian.

Their oddball routine begins with Abner, a duck, and Ian, a prairie dog, standing sideways on the edges of the pages—parallel rather than perpendicular to the background. Abner suggests breaking the fourth wall to ask readers (referred to in the singular as “the kid”) to help by shaking the book and turning the pages. Ian expresses some doubt about the idea. But, when Abner notes that they’ve “seen it work before” (a hilarious moment of meta-metafiction), the pals go forward with the plan. A countdown cue instructs readers to do as they’re told. Subsequent page turns find Abner and Ian in various different post-shake orientations (upside down, in the gutter, all mixed up, etc.). Will they ever make it to where they’re supposed to be so they can start the story? At 80 pages, the joke carries on a bit too long, but the witty back and forth between the two characters makes for a quick pace. Park’s art matches a limited palette of earth tones with bright, bold backgrounds. Her cartoon characters are richly expressive, nicely varied within the context of the heavy compositional repetition required to fuel the comedy. Amusingly, Abner’s scarf demonstrates at all times that it is subject to the law of gravity, even if the characters are not. Given the characters’ broad vocabularies, it’s a shame they resort to variations of “crazy” to describe how they want the book to be shaken.

A very funny read-aloud done (mostly) right-side up. (Picture book. 3-8)

Pub Date: May 14, 2019

ISBN: 978-0-316-48586-9

Page Count: 80

Publisher: Little, Brown

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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