In this solidly reported and much-anticipated book, Itzkoff delivers a revealing portrait of the motivations of a quiet...
A New York Times culture reporter uses both straight reporting and insightful analysis in the first major biography of Robin Williams (1951-2014).
After discovering his talents as a comedian and actor in his late teens, Williams was clearly going places—but where? As Billy Crystal described one of Williams’ early performances in the book, “it was like trying to catch a comet with a baseball glove.” With his madcap stage antics, trademark rainbow suspenders, and rapid-fire shifting from character to character, he mesmerized audiences everywhere, first in the small comedy clubs of New York, then on TV, and eventually in Hollywood films. “But who was he?” So asks Itzkoff (Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies, 2014, etc.) in the prologue of this comprehensive examination of Williams’ long career as an actor, family man, and friend. The author portrays an artist who, though not necessarily tormented, was driven by his insecurities and addictive personality to seek constant and immediate validation through his performances. From a stint at Juilliard, through his early success with Mork & Mindy, and finally his big breaks with Good Morning, Vietnam, Dead Poets Society, and Aladdin, Itzkoff chronicles his career arc and friendships with the likes of Christopher Reeve, Billy Crystal, and Richard Pryor, among countless others. Through their perspectives, along with those of his parents, children, and wives, the author draws out the many different Robins the world has come to know—but as the Itzkoff shows, there was so much more. His suicide came as a major blow to nearly everyone around him, and many are still puzzled by this final act from an artist who seemed to have it all. Itzkoff explores all the theories, including the surprising and probable one involving Lewy body disease, which caused crippling dementia and robbed Williams of his ability to perform.
In this solidly reported and much-anticipated book, Itzkoff delivers a revealing portrait of the motivations of a quiet comic genius whose explosive persona moved millions.Pub Date: May 15, 2018
ISBN: 978-1-62779-424-4
Page Count: 544
Publisher: Henry Holt
Review Posted Online: March 18, 2018
Kirkus Reviews Issue: April 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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