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BEATRICE BEECHAM'S FEARSOME FEAST

Entertaining–but unnecessarily puzzling–this may appeal to fans who like their mysteries unsullied by elements of fantasy....

This fun, if slightly incoherent, British girl-detective escapade offers eccentric characters, snooping, danger and cookery for the middle-school crowd.

Young Beatrice lives for cooking, holding imaginary conversations with her favorite famous chef when she’s trying to solve a problem. Uprooted to a tiny seaside village when her father loses his job, her family moves in with her colorful, elderly “Aunt” Maud, a nicely drawn character who adds some zip to the narrative–as does a quirky librarian. When Beatrice drops a centuries-old cookbook given to her by Maud, she discovers within it obscure poems that she thinks are clues to an old mystery. Teaming up with three local kids, Beatrice sets off to hunt for evidence. Clues lead them to the powerful family that owns the town, and into contention with some standard-issue bullies. Beatrice then enters the “Fearsome Feast,” a contest to produce a truly inedible dish, and she gains access to the manor house with a hilarious, gag-inducing creation. Maud joins her, and the two end up in a cliffhanger battle against conventional baddies. Alas, frequent typos and grammatical errors clutter the otherwise nice narrative flow.

Entertaining–but unnecessarily puzzling–this may appeal to fans who like their mysteries unsullied by elements of fantasy. (Fiction. 10-12)

Pub Date: Feb. 19, 2007

ISBN: 978-1-84728-293-4

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE PERKS OF BEING A WALLFLOWER

Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.

Pub Date: Feb. 4, 1999

ISBN: 0-671-02734-4

Page Count: 256

Publisher: MTV Books/Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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