by Dave Kindred ‧ RELEASE DATE: March 8, 2006
Nicely written insider’s compendium on the men, their times and TV’s impact on sports.
Award-winning sports journalist Kindred (Glove Stories, 2002, etc.) captures the spirit of an era in intersecting biographies of two truly irrepressible personalities.
The author, who knew both Ali and Cosell, might be accused of forcing them together here, as each has been the subject of numerous other books, including their own. What common bond, after all, could the offspring of Russian-Jewish immigrants to Brooklyn have with a Kentucky sign-painter’s son 24 years his junior? Kindred quickly answers this question, and dispels any doubts about his project, with a vast barrage of anecdotes, testimonials and riveting summaries of media events that freeze the essential moments as two ambitious careers collide and meld in a decades-long dance of sometimes brilliant and often shameless mutual exploitation. Immediately after their first encounter in the early 1960s, the bombastic doggerel of Cassius Marcellus Clay Jr., a 20-year-old Olympic heavyweight champ turned pro, and the sesquipedalian arrogance of Cosell, an apostate attorney dreaming of a media spotlight as the prototypical sports journalist, became an irresistible attraction for a TV nation hungering for “telling it like it is.” With Cosell pushing Clay, soon to rename himself Ali, with intimidating questions about his unorthodox boxing style (“Are you, in fact, afraid of being hit?”), and Clay in turn threatening to snatch off his mock adversary’s obvious toupee on camera, the show boomed along into the big time. When Ali turned Muslim draft-resister, Cosell, almost alone, stayed in his corner. As fans of both remember, and Kindred well documents, the lows inevitably came. For example, a past-his-prime Ali suppressing a medical exam that showed neurologically impaired coordination, only to be pummeled by undefeated champ Larry Holmes. Or Cosell being accosted by frustrated broadcasting partner Al Michaels after downing the better part of a bottle of vodka during a baseball game.
Nicely written insider’s compendium on the men, their times and TV’s impact on sports.Pub Date: March 8, 2006
ISBN: 0-7432-6211-5
Page Count: 352
Publisher: Free Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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