by David Ambrose ‧ RELEASE DATE: March 17, 2003
Another all-nighter whose thinly real opening half sets up a dumfounding series of payoffs.
The Great Ambrose returns (Superstition, 1998) for another paranormal thriller that may lack the philosophical darkness of Philip K. Dick but has all of Dick’s endless identity inversions and reversals.
Reader Warning: This novel may be unreviewable without giving away plot points that the normal (or unprofessional) reader would not want to know. The title refers to Luis Buñuel’s strange and seductively surreal The Discrete Charm of the Bourgeoisie, about a group of fashionables who mill around a dining room, try to sit down to dinner, and never make it, though all Ambrose takes from that movie are Buñuel’s strangeness and surrealismo. James Bond can take a backseat to Charlie Monk, who has the fluidity and speed of a dreamBond. In fact, for a while, the reader wonders at the outrageous abilities of Monk—an agent for a governmental organization so secret that it doesn’t exist—as when he brings off supremely dangerous and difficult missions with dreamlike ease. As in Dick’s Blade Runner, we wonder as well if Monk’s childhood memories haven’t been implanted: he has such difficulty bringing some of them back to mind, especially the face of beloved fellow orphan Kathy. Even so, when off-mission for long periods, Charlie beds an endless stable of beauties (sometimes two at once), drives his Porsche, and paints landscapes that a strange little dealer buys by the vanload. The reader keeps thinking that this is really unreal. Deathproof Charlie, is he superhuman? Or just inhuman? We’re not saying. But the paranormal side of the story turns on Virtual Reality implants that restore perhaps fake memory, and these draw from experiments by Dr. Susan Flemyng, whose husband has been murdered in a superbly described decrepit Siberia. Midway through the story, Monk’s secret aspect is revealed, and there’s no turning back for Charlie or the reader.
Another all-nighter whose thinly real opening half sets up a dumfounding series of payoffs.Pub Date: March 17, 2003
ISBN: 0-446-52796-3
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
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by Jennifer Hillier ‧ RELEASE DATE: Aug. 7, 2012
Taut and fraught with surprise twists, Hillier’s thriller is addictive.
“Free Abby Maddox, 2/10.” Carved into the back of a murdered prostitute, these words resurrect a violent story that everyone thought had ended.
Picking up where Creep (2010) left off, the latest from Hillier reassembles a cast of characters facing the aftermath of serial killer Ethan Wolfe’s death. Dubbed the Tell Tale Heart killer, Wolfe had seduced and tortured psychology professor and recovering sex addict Sheila Tao. Now that Wolfe is dead and his girlfriend, Abby Maddox, has been incarcerated for attacking Detective Jerry Isaac, Sheila believes she can rebuild her life. Retired from the force and estranged from his wife, Jerry struggles to regain his confidence after Maddox’s attack. The scar she left on his throat is simply the physical manifestation of the scars within his psyche. Suddenly, the wary peace is shattered, and Jerry’s partner calls him back to help with a murder case. The corpse bears a strong resemblance to Maddox, and the killer has strangled her with a zip tie. The message carved into her back prophesies nine more victims. Who is willing to kill for Maddox’s freedom? Twists and turns reveal a website devoted to freeing Maddox, a trash bag full of fan letters to Maddox and a mysterious young man hiring prostitutes online. Jerry isn’t quite ready to cope with this case, particularly when the only leads seem to lie in Maddox’s hands. Even more strange, Maddox wants to talk to Sheila. Luckily, Jerry has a new intern, Danny. Studying to become a criminologist, Danny is, of course, intrigued by the case. Her fresh-faced interest, energy and technological skills rejuvenate Jerry’s hunt. Yet as the kill count mounts, he has to begin to wonder: Is someone orchestrating everyone’s every move? The second book in this series leaves readers hungry for the next.
Taut and fraught with surprise twists, Hillier’s thriller is addictive.Pub Date: Aug. 7, 2012
ISBN: 978-1-4516-6454-6
Page Count: 384
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Ken Follett ‧ RELEASE DATE: July 31, 1978
Graham Greene he's not. Not even John le Carre or Geoffrey Household. But Ken Follett is here with that particularly British tone of controlled, leisurely tension—you'll feel it on the very first page—that can transform a not-very-original spy plot into a sly gavotte that has you holding your breath as the dancers slowly come together. The familiar D-Day gimmick: only one man can ruin the secrecy of the Normandy landing—a top German undercover agent known as "The Needle" because of his deadly stiletto. But Follett immediately declares his independence from cliches: by luring us over to The Needle's point of view, forcing us to admire his ingenuity (even as he murders a harmless landlady and then his own confederate); by making three-dimensional fellows of the British intelligence men who must catch The Needle before he makes contact with a German submarine; and by dropping in the apparently extraneous story of a young, unhappy man and wife who've been living on an empty North Sea island ever since the husband lost his legs in a honeymoon car accident. Ah, but of course, we know that this couple will be linked to The Needle, and it's with satisfaction that we watch the spy being washed up, half dead, on that island in his attempt to reach a German ship. What then follows—the romance between The Needle and the lovestarved wife, their hideous and unwilling death-duel—is badly marred by explicit sex and explicit sentimentality that, like Follett's occasional anachronistic or heavyhanded fumbles, violate the tone and period feel. But perhaps it's just as well: if Follett's debut were flawless, he'd have nowhere to go. As it is, Eye of the Needle introduces a fresh if not especially distinctive voice in suspense—and is easily the best first novel in the espionage genre since The Day of the Jackal.
Pub Date: July 31, 1978
ISBN: 006074815X
Page Count: 370
Publisher: Arbor House
Review Posted Online: Sept. 23, 2011
Kirkus Reviews Issue: July 1, 1978
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