by David Backes ‧ RELEASE DATE: Sept. 5, 1997
Backes (Canoe Country: An Embattled Wilderness, not reviewed) knits together a yeomanly portrait of Olson, a force in the mid-20th-century environmental movement, but someone today's readers may find a bit of a dinosaur. Olson will best be remembered for authoring such conservationist hymnals as The Singing Wilderness and Reflections from the North Country, where he vented his land aesthetics and spiritual beliefs. His ego was such that, after reading Thoreau, he felt ``no one has as yet developed a philosophy of the wilderness. That is up to me.'' And it is to the credit of Backes—an unabashed Olson fan who treats his papers and diaries as if they were sacred relics—that he includes such nuggets. The son of a strong-willed Swedish Baptist minister, Olson evolved a kind of wilderness theology—a love of all life in God's cosmic adventure—that found ``ritualistic significance'' in the uncivilized world. These days, Olson's writing feels by turns overly manly (``My work must be strong and hard and masculine'') and overly sentimental; readers may well agree with the Houghton Mifflin editor who rejected Olson's first collection: ``Essays . . . have to be superbly written to have a chance, and Sig Olson's prose is not on that level.'' Thus Backes wisely devotes significant space to Olson's championing such then-crazy notions as roadless areas and air reservations (patches over which no flights are allowed) and to making sense of a man who bridled at the thought of being behind a desk, who would rather have been in a canoe, yet accepted numerous administrative posts, from college dean to president of the Wilderness Society, with many a bureaucratic stop between, hating them all the while. Impeccably researched, near-claustrophobically detailed, evenhanded—Backes's volume gives a sense of the Olson behind the legend.
Pub Date: Sept. 5, 1997
ISBN: 0-8166-2842-4
Page Count: 424
Publisher: Univ. of Minnesota
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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