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THE PARENT AGENCY

Personal development, Three Stooges style.

The hazards of wish fulfillment come, as usual, home to roost when young Barry gets a chance to replace his parents with a new set.

A week before his 10th birthday, Barry hits his head in a fall and wakes in Youngdon, capital of the United Kid-Dom, where grown-ups eagerly vie to be selected by onesie-wearing children. Working down a previously compiled list of grievances against his original parents, Barry opts to try out a different set each day—and so goes from the dizzyingly aristocratic Rader-Wellorffs to a celebrity couple dubbed “Vlassorina” and a succession of other couples who let him try out sports and do whatever he wants, as well as openly favoring him over younger sibs who bear strong resemblances to his own sisters. Predictably, all prove disappointments, and he wakes up at the end a wiser, more loving son. Baddiel crams his pointed allegory with jokes that not only will likely fly past American readers, but display questionable taste: Barry dubs his sisters “The Sisterly Entity” in imitation of the hostile Arabic term for Israel, a teammate’s “Que pasa?” as he trots into Wobbly Stadium for a match with rival Boysnia-Herzogeweeny is dubbed “some kind of weird language,” and for his birthday party at the end he’s delighted to get a toy pistol.

Personal development, Three Stooges style. (Fantasy. 10-12)

Pub Date: May 3, 2016

ISBN: 978-0-06-240544-9

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 16, 2016

Kirkus Reviews Issue: March 1, 2016

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MAYA AND THE RISING DARK

From the Maya and the Rising Dark series , Vol. 1

A truly #BlackGirlMagic, cloudy-day, curl-up kind of book.

Maya knows her father’s stories aren’t real—are they?

Maya, a comic-book–loving, anemic 12-year-old Black girl, is suffering through situational math when she experiences a sudden, time-stopped moment when “the color bled from the world like someone was sucking it away through a straw.” That is not the only strange incident: Maya has an all-too-real dream of a man with skin “the color of the moon” and “pale violet eyes” who has the same color-sucking ability; her structural engineer papa literally disappears in front of her; and when she and her friends Frankie and Eli find themselves fighting shape-shifting darkbringers, Frankie discovers her own light-shooting skills. What Maya, Frankie, Eli, and readers find out from Maya’s mother is that Papa’s real identity is Elegguá, the most powerful of the West African orishas, guardian of the veil between this world and those of the darkbringers and other forces. Not only that, but Frankie’s newly found gift came from her late mother, who is also an orisha, and Eli is part orisha, too. The astonishing series of subsequent revelations leaves readers agog, eager to know how Maya and her pals will use their powers to heal the veil and save their mostly Black and brown neighborhood. In her author’s note, Barron describes how this book has risen from her explorations of the traditions of her West African ancestors.

A truly #BlackGirlMagic, cloudy-day, curl-up kind of book. (Fantasy. 10-12)

Pub Date: Sept. 22, 2020

ISBN: 978-1-328-63518-1

Page Count: 304

Publisher: HMH Books

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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SHOUTING AT THE RAIN

Hunt (Fish in a Tree, 2017, etc.) has crafted another gentle, moving tale of love and loss: the value of the one and the...

“The ones that love you protect your feelings because they’ve been given a piece of you. Others may toss them around for just the same reason.”

It’s the summer that Delsie hears that hard lesson from her grandmother and comes to fully understand what it means. Her best off-Cape friend has returned for the season, but now Brandy, once her soul mate, is wearing makeup and has brought along a mean, snobby friend, Tressa, who’s put off by Delsie’s dirty, bare feet and near-poverty. Ronan is new to the Cape, too, and at first he’s a hard boy to get to know. But Delsie, stunned by Brandy’s betrayal, perseveres, realizing that he’s just as lonely as she is and that his mother is gone, having sent him away, just as hers is—heartbreakingly lost to alcohol and drugs. A richly embroidered cast of characters, a thoughtful exploration of how real friends treat one another, and the true meaning of family all combine to make this a thoroughly satisfying coming-of-age tale. Cape Cod is nicely depicted—not the Cape of tourists but the one of year-round residents—as is the sometimes-sharp contrast between residents and summer people. The book adheres to the white default; one of Delsie's neighbors hails from St. Croix and wears her hair in an Afro.

Hunt (Fish in a Tree, 2017, etc.) has crafted another gentle, moving tale of love and loss: the value of the one and the importance of getting over the other. (Fiction. 10-12)

Pub Date: May 7, 2019

ISBN: 978-0-399-17515-2

Page Count: 288

Publisher: Nancy Paulsen Books

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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