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VINTAGE

An uneven debut novel by a talented food writer.

A story of adventure, espionage, and second chances all tangled up in the whereabouts of one lost bottle of wine.

Bruno Tannenbaum’s career as a food writer is on a swift decline. Years earlier, he had experienced a respectable level of success from his collection of essays, Twenty Recipes for Love, which combined musings on culinary delights with tips on how to use food to enhance relationships. But through a series of personal failures, much of the goodwill he earned from his fame has disappeared. Then, following a day of embarrassing indulgence, he makes a scene at a local restaurant, and his outrageous behavior causes him to lose his job as a columnist for the Chicago Sun-Times. He's already living with his mother, separated from his wife and two daughters, so this firing hits him especially hard. Feeling untethered, he approaches his friend Aleksei for a loan but is instead offered a job cataloging the contents of a wine locker, obtained as payment from one of Aleksei’s former clients. It's in this locker that Bruno’s new adventure begins. After being attacked and waking to find the locker ransacked, he discovers the cork of a bottle of wine that shouldn’t exist. This vintage, originating in France in 1943 and made by Clement Trevallier, was thought to have been lost to the Nazi occupation, with no record of production for that year. The existence of this cork—and the fact that someone was willing to attack him for it—suggests otherwise. Bruno sets off on a journey that takes him around the world in hopes of unraveling the mysteries behind this wine. While the descriptions of food and wine in the novel are impeccable, the passages involving Bruno’s relationships falter. Much of the plot is over-the-top, and the writing lacks the authority it would need to remain plausible.

An uneven debut novel by a talented food writer.

Pub Date: Sept. 22, 2015

ISBN: 978-1-5011-1251-5

Page Count: 320

Publisher: N/A

Review Posted Online: June 29, 2015

Kirkus Reviews Issue: July 15, 2015

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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