A delightfully silly and bizarre superhero tale, with an ending that practically guarantees further installments.



After mysteriously losing his abilities, a psychic superhero tries to prevent an assassination and thwart a powerful villain in this comedy-action sequel.

To protect his loved ones, Edger Bonkovich pretends to be dead after the evil organization Nostradamus destroys his house. He’s living in Burbank, California, with spy Mary Thomas of the Global Strategic Peace Organization Taskforce as his protector and cover wife. Edger has the ability to access the Collective Unconscious, a “psychic stratum” of everyone living or dead. Bruce Lee, for example, can temporarily take control, affording Edger martial arts deftness. But when Nostradamus agents suddenly attack Edger and Mary at home, his power inexplicably vanishes. He only has access to Nigel Willianbottom, a Brit with few discernible skills. Meanwhile, Australian Prime Minister Watson is planning to admit he’s a Nostradamus official and name others. GSPOT boss Alexandra Hamilton assigns Edger and Mary the task of preventing the prime minister’s potential assassination. But Alex distrusts Mary, who confesses Watson is her father, whom she wouldn’t mind killing. Edger soon learns of a supervillain who’s capable of reading minds. Despite his diminished psychic abilities, Edger has a ring that, combined with the super-serum in his blood, covers him in a super-suit for inevitable confrontations with baddies. Beem (Edger, 2018, etc.) loads his second series installment with vivid characters and subplots. Many of them ultimately link to Edger (for example, a Russian assassin) or have a pre-existing connection, like Fabio Jimenez, Edger’s best friend who believes he’s dead. While readers may have trouble keeping up with the influx of characters, the story retains a steady pace of action and high jinks. These include clones, possible aliens, and a Collective Unconscious message from Edger’s supposedly dead father. Humor is in abundance, from mostly unhelpful Nigel to appearances by real-life figures, including Freud and Vladimir Putin. But there are sincere moments as well, as the goofy but likable protagonist expresses genuine feelings for Mary and misses his friends and family.

A delightfully silly and bizarre superhero tale, with an ending that practically guarantees further installments.

Pub Date: March 31, 2019


Page Count: 305

Publisher: Time Tunnel Media

Review Posted Online: March 4, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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