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RUN, BROTHER, RUN

A MEMOIR OF A MURDER IN MY FAMILY

Engrossing family history and an appealingly salacious tale, related in a bemused tone that does not hide the social...

Gritty memoir with unusual connections to the criminal underworld, the legal world and Hollywood.

Berg (The Trial Lawyer: What It Takes to Win, 2003) has lived a full life, and it shows in his deft tonal balance between wry humor and embittered fatalism. Despite success as a well-known progressive lawyer, he remains haunted by the grisly murder of his venerated older brother Alan in 1968 by “card carrying” hit man Charles Harrelson (father of actor Woody). At the time, Alan was slandered as a degenerate gambler, which contributed to Harrelson’s acquittal. The author reconciles his brother’s failings with a larger, complex family story, in which the Bergs’ domineering father, having abandoned his traditionally Jewish first wife, labored to ensnare his sons in his own failed dreams. The vivacious hustler Alan joined his father in a tawdry “boiler room” carpet-selling operation aimed at Houston’s poor, a business path whose tangled dealings, Berg argues, actually provoked the murder. The author portrays 1960s-era Houston as a dangerous, seamy swamp, run by a good-ol’-boy network that tolerated violent men like Harrelson and a legal system in which favoritism and bigotry reigned. He shrewdly connects his own hard-knocks career development defending hippies and radicals in Texas with the longer arc of Harrelson’s crimes and eventual punishment, including the weird coda of his celebrity son’s belated efforts to win his release following conviction for a judge’s assassination. To unravel this long-ago narrative, Berg closely reconstructs the investigation and trial, noting how a novice prosecutor faced the state’s best defense attorney, a flinty eccentric known for winning at any cost.

Engrossing family history and an appealingly salacious tale, related in a bemused tone that does not hide the social ugliness and personal heartbreak underneath.

Pub Date: June 11, 2013

ISBN: 978-1-4767-1563-6

Page Count: 272

Publisher: Scribner

Review Posted Online: April 7, 2013

Kirkus Reviews Issue: May 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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