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JUDGMENT

Nearly 90 years after its original publication, this ahead-of-its-time novel by one of the best-known Yiddish writers of his...

Bergelson's politically charged novel, first published in Yiddish in 1929, reflects on the dark absurdities of life along the Ukraine-Poland border circa 1920.

Set at the height of the Russian civil war, the book features an outsize cast of characters, Jewish and non-Jewish, struggling for survival as the Bolsheviks consolidate power. It's a time and place where everything is up for grabs—allegiances, ethnic identities, basic values—and madness reigns. Inhabitants of the (fictional) shtetl of Golikhovke survive by smuggling goods—as well as people and anti-Bolshevik propaganda—across the border. A seductive schemer known only as "the blonde" who considers herself a "devout Christian" will sleep with anyone—even let her body be "defiled by a dirty Jew"—to facilitate her trips back and forth. In a former monastery outside of town, people are interrogated and locked up at the whim of Filipov, an enigmatic, ailing enforcer for the Bolshevik secret police. For all the horrific truths at its foundations, this boldly modernist novel entertains with its bleak, coolly ironic humor. Among the memorable bit players are Bunem the Red and Hatskel Shpak, coachmen who take advantage of smugglers desperate to get out of town: "Jews fleecing Jews!" The initial chapters of Bergelson's book were published on the heels of Kafka's The Trial, to which it has fascinating ties.

Nearly 90 years after its original publication, this ahead-of-its-time novel by one of the best-known Yiddish writers of his era proves powerfully relevant in its first English translation.

Pub Date: Sept. 15, 2017

ISBN: 978-0-8101-3591-8

Page Count: 264

Publisher: Northwestern Univ.

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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