An unhurried evaluation of the importance of companionship and friendship at any age.
Three lonely older women from Brooklyn form an unlikely friendship and tackle difficult life moments together.
The book opens as 60-year-old Gertie Sundersen chokes on a plum. Corinna Hale happens to be standing nearby and rushes to help, but due to a rare genetic condition, she is too small to effectively perform the Heimlich on someone of Gertie’s stature. Corinna implores Maria Benedetti, another bystander, to help. After the women successfully rescue Gertie from impending doom, the trio meanders to a bench overlooking the Verrazzano Bridge. As they sit and take in the magnificent view, they begin to share secrets with each other: Gertie is a divorced former athlete, Maria is a lovelorn Italian widow, and Corinna, who's never been married, dabbles in recreational drugs. The one common denominator is that each woman is very much alone. They end up enjoying each other’s company so much that they begin meeting weekly at their bench at the bridge. Over time, the friendship they share becomes the most important aspect of each woman’s life. Unfortunately, after two decades of bonding, Maria decides to go digging into Gertie’s and Corinna’s pasts, unintentionally threatening the very relationships that have come to mean the most to her. The story joins the three friends when they get together and also follows the women through various aspects of their individual lives. The story moves along rather drowsily, with long stretches between significant events and disproportionate focus on moments that do not advance the narrative. The strength of the novel comes in quiet moments when each of the main characters is able to engage in personal reflection about the life she has lived and what she hopes to do with her remaining time. The Verrazzano Bridge is also a central fixture of the story, one that essentially becomes its own character as the tale unfolds. Although the narrative veers off track at a few points and would have benefitted from the fleshing out of intriguing subplots, the insightful commentary on growing older should be sufficient to keep some readers engrossed.
An unhurried evaluation of the importance of companionship and friendship at any age.Pub Date: Oct. 12, 2021
ISBN: 978-1-5420-2722-9
Page Count: 241
Publisher: Lake Union Publishing
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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