by David Black ‧ RELEASE DATE: Dec. 29, 2014
A quick, humorous memoir about storytelling, on and off the stage.
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Black (The Magic of Theater, 1993, etc.), in his new memoir, offers a colorful account of his life in the Broadway theater.
People in show business always seem to have the best stories. Maybe it’s the strength of their personalities or the heightened cultural setting or the chance that someone famous might pop up at any time. All these things are true in Black’s memoir, which gives readers a behind-the-scenes look at the Great White Way (with requisite appearances by celebrities big and small), as well as an examination of the complicated life of a theater professional. Black details his childhood as the son of an influential atheistic minister, his marriage into the upper crust of Boston society, his time as an opera singer in Europe, and his long career in the fast and fickle world of Broadway. The most interesting sections detail his work in the 1960s, producing shows such as the musical George M!, a revival of A Funny Thing Happened on the Way to the Forum, and most surprisingly, Richard Nixon’s 1969 Inaugural Gala in Washington, D.C. Just as engaging, though, are his relationships with his family and his lovers, and his personal trials define him even more than the professional ones. At just over 150 pages, it’s a short volume, as Black is no completist when it comes to his own memory; he provides only the moments he wishes to discuss. He writes in a highly anecdotal style, one story following the next, yet the memoir somehow manages to avoid feeling digressive or directionless. Instead, his life unfolds in brief but meticulous fables that, together, present a quirky but comprehensive biography. Some stories are poignant, but most are simply funny, and Black’s wonderfully dry humor and inclination toward self-deprecation truly carry readers through the book. Overall, he seems to have enough respect for life and art to know not to take either too seriously. In theater, there are tragedies and there are comedies; Black has thankfully interpreted his life as the latter.
A quick, humorous memoir about storytelling, on and off the stage.Pub Date: Dec. 29, 2014
ISBN: 978-1631923258
Page Count: 157
Publisher: Mezzo Books
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: March 1, 2015
Review Program: Kirkus Indie
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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