An absorbing, challenging work of ``bottom-up'' history that gives a voice to the unlettered and the disempowered. Blackbourn (History/Harvard) transforms an apparently minor historical curiosity, an instance at best of religious pathology, into a fascinating, surprising, and moving picture of cultural turmoil in the new German nation-state. The event in question is the alleged visitation of the Virgin Mary to three schoolchildren in the remote Rhineland village of Marpingen in 1876, and the response thereto. With sure control of his material and an archaeologist's reconstructive gift, Blackbourn deftly reveals the Marpingen events as a tangled but telling intersection of multiple cultural currents: religious strife, both interdenominational and between competing tendencies in the Catholic hierarchy itself; local communal rivalry; class tensions; grassroots populist activism; Bismarck's ongoing Kulturkampf (``cultural war'') against the Catholic Church; and the upheavals in work and family life provoked by the confrontation of a traditional rural culture with the very different rhythms of a 19th-century industrial state. Blackbourn brushes against the grain of readers' expectations: He encourages us to regard the widespread popular support of the visionaries not as superstitious medieval credulity but as a sophisticated mobilization of deep-rooted cultural resources by a community beset by social dislocation. Conversely, the ``progressive'' modernizing forces of state authority, whose response to the apparitions varied from patrician condescension to outright contempt or suspicion, stand revealed as at least as self- righteous and blinkered (by a faith in secular rationality often as unyielding as religious dogma) as the peasants they undertook to control. The Church itself is riven and ambivalent, its sponsorship of the cult of the Madonna at odds with the increasingly authoritarian bent of the 19th-century Vatican. This dense, authoritative book demands and deserves an attentive reading and offers rewards few recent historical narratives can match.
Pub Date: Sept. 15, 1994
ISBN: 0-679-41843-1
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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