A well-crafted and thoughtful work of historical fiction.
Blixt offers a narrative of the rise of pioneering investigative reporter Nellie Bly.
All heroes have origin stories, and this novel tells the tale of Elizabeth Cochrane, who was later known to the world as the determined journalist Nellie Bly. The book takes readers from her first published work, a rebuttal to a newspaper editorial entitled “What Girls Are Good For,” to her exposé of the mistreatment of women inmates in an asylum on New York City’s Blackwell’s Island (now Roosevelt Island). Bly is shown to challenge social norms with a gentle courage that will inspire readers. Along the way, Blixt is careful to address the complexities of the society in which she lived. She was both tutored and tut-tutted by the men in her life, one of whom created her pen name without her consent. However, the book also notes how she experienced egregious forms of cruelty from women, as when she went undercover at the asylum and was roughly handled by the matrons there. In addition, the author adeptly explores the economic conflict inherent in the social justice movement, showing how voices of working-class women and minorities went unheard, suppressed by those who professed to speak on their behalf. These nuances highlight the timelessness of Bly’s tale, reminding readers that the spirit of the reporter’s work remains relevant. Although it’s fiction, Blixt’s work is so thoroughly researched that audiences may well forget that they’re not reading Bly’s own words. Moreover, his choice to focus on a chronological telling of his protagonist’s early life lends depth and clarity to her decision to undertake a career in investigative journalism. Blixt provides readers with a glimpse beneath Bly’s persona while acknowledging that there’s still much of her life and legacy to explore.
A well-crafted and thoughtful work of historical fiction.Pub Date: May 11, 2021
ISBN: 978-4-86745-688-0
Page Count: 568
Publisher: Next Chapter
Review Posted Online: Jan. 27, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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