A well-crafted and thoughtful work of historical fiction.
Blixt offers a narrative of the rise of pioneering investigative reporter Nellie Bly.
All heroes have origin stories, and this novel tells the tale of Elizabeth Cochrane, who was later known to the world as the determined journalist Nellie Bly. The book takes readers from her first published work, a rebuttal to a newspaper editorial entitled “What Girls Are Good For,” to her exposé of the mistreatment of women inmates in an asylum on New York City’s Blackwell’s Island (now Roosevelt Island). Bly is shown to challenge social norms with a gentle courage that will inspire readers. Along the way, Blixt is careful to address the complexities of the society in which she lived. She was both tutored and tut-tutted by the men in her life, one of whom created her pen name without her consent. However, the book also notes how she experienced egregious forms of cruelty from women, as when she went undercover at the asylum and was roughly handled by the matrons there. In addition, the author adeptly explores the economic conflict inherent in the social justice movement, showing how voices of working-class women and minorities went unheard, suppressed by those who professed to speak on their behalf. These nuances highlight the timelessness of Bly’s tale, reminding readers that the spirit of the reporter’s work remains relevant. Although it’s fiction, Blixt’s work is so thoroughly researched that audiences may well forget that they’re not reading Bly’s own words. Moreover, his choice to focus on a chronological telling of his protagonist’s early life lends depth and clarity to her decision to undertake a career in investigative journalism. Blixt provides readers with a glimpse beneath Bly’s persona while acknowledging that there’s still much of her life and legacy to explore.
A well-crafted and thoughtful work of historical fiction.Pub Date: May 11, 2021
ISBN: 978-4-86745-688-0
Page Count: 568
Publisher: Next Chapter
Review Posted Online: Jan. 27, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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