Inspired by an interviewer trusted as a confidant, five world-class musicians help him sketch engrossing self-portraits. Orchestra founder Blum (Casals and the Art of Interpretation, not reviewed) knows that “a person with artistic gifts will usually develop in one of two ways: as an artist at the expense of others, or as a human being at the expense of art.” Yet his forthcoming subjects reveal how, despite diverse trials, they avoided either trap. Soprano Birgit Nilsson overcame voice-damaging instructors. Cellist Yo-Yo Ma, son of traditional Chinese parents, had to tame his own Americanized teenage wildness. Russian- born violinist Josef Gingold, longtime Cleveland Orchestra concertmaster, writhed under cruelty as an immigrant boy. Pianist Richard Goode, celebrated for his Schubert and Beethoven, still wrestles with dire stage fright. Jeffrey Tate, certified as a doctor, turned full-time conductor only after pain from his deformed spine acted like a “refiner’s fire.” As these highly accomplished performers reflect unpretentiously on their core musical experiences, Blum weaves in commentary from colleagues and partners, cherishing the incidental humanizing touch: Goode heading for a campus concert, a bag of books and scores on his back, still the student; devoted teacher Gingold’s “jealous mistress” of a violin challenging him each morning: —I dare you”; Nilsson, known for her aquavit wit, pausing at the local churchyard to water her parents’ grave. Striving to cast sound into words, and laud towering talents without fawning, Blum occasionally turns grandiloquent, but he never obstructs our view as his sitters answer what must have been prescient questions with fluent candor. The author’s illness precluded updating these previously published heroes’ tales before his 1996 death; this memorial would have benefited from a current discography. As good writers about art should, Blum sends the reader back to the works afresh’seeking these five interpreters as mentors. (5 b&w photos)
Pub Date: Jan. 1, 2000
ISBN: 0-8014-3731-8
Page Count: 208
Publisher: Cornell Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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