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DARK MATTERS

DELUSIONS, ILLUSIONS, LOST CAUSES AND ABSURDITIES IN MODERN AMERICA

A ruminatively enjoyable if familiar consideration of the failed promise of modernity.

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A series of contemplative essays on the challenges posed by modernity, with particular emphasis on the United States. 

Author David Bouchier (Not Quite a Stranger: Essays on Life in France, 2015, etc.) refuses to consider himself an intellectual, though he does seem comfortable with an “amateur philosopher.” In that spirit, he has composed a series of essays that occupy the cerebral space between scholarly cogitation and sophisticated correspondence, both accessible and meditatively thoughtful. The topics he covers are wide-ranging: education, sexual identity, consumer culture, and the necessary conditions of civilization. Still, there are at least two narrative threads that holds this eclectic assemblage of short pieces together: a defense of a principled skepticism and a diagnosis—he’s not pessimistic enough to perform an autopsy—of the diseased body that is modernity. The author considers this book a “contribution to the literature of skepticism,” and he defends the extreme philosophical caution of the skeptic against the hubristically confident claims of the “True Believer.” “What should stand in the way of dumb belief (but rarely does) is the awareness of our own ignorance. The number of things we don’t know is overwhelmingly vast.” Also, he writes with great passion and elegance about the failure of modernity, or the American dream that eventually transformed into an “international dream,” a sanguine optimism that progress will deliver us all from the pain and encumbrances of life. Its cataclysmic failure threw the world into an abyss of meaninglessness and ultimately substituted “apocalyptic pessimism” for cheerful hopefulness. Bouchier artfully combines lighthearted wit—he believes humor is the “only response” to the absurdity of human life—with analytical seriousness. For all his playfulness, this book radiates gravity, a profound concern with the fate of man. The author’s study lacks originality—there’s nothing here that will astonish the moderately belletristic reader—and it never seems to occur to Bouchier that some version of religion could be defended on rational grounds, a peculiar dogmatism for a principled skeptic. Still, this is a stylistically rendered and intelligent reflection on the foibles of contemporary life. 

A ruminatively enjoyable if familiar consideration of the failed promise of modernity. 

Pub Date: Sept. 25, 2019

ISBN: 978-1-68471-025-6

Page Count: 174

Publisher: Lulu

Review Posted Online: Jan. 4, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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