Next book

THE BEST AMERICAN ESSAYS 2012

A trove of fine writing on big issues, albeit at the expense of more playful exemplars of the contemporary essay.

Well-told pieces on a narrow range of subjects define the latest iteration of the Best American Essays franchise.

This year’s batch of selections tends toward informative—sometimes wonkish—works of reportage and memoir. That should come as no surprise given that proudly egghead-ish New York Times columnist Brooks is doing the selecting. (As ever, series editor Robert Atwan performs the initial cull.) Brooks makes his intentions clear in his introduction, writing that “I want to be improved by the things I read”—much of which includes writing on medicine and health care: Eight of the 25 selections deal with the topic in some matter—nine if you include Jonathan Franzen’s “Farther Away,” featuring some musings on his friend David Foster Wallace’s depression and suicide. Some writers attack the subject in dry expository prose, as in Marcia Angell’s “The Crazy State of Psychiatry,” which condemns the overdiagnosis of mood disorders. More often, though, the topic gets a personal touch, as in Miah Arnold’s “You Owe Me,” an essay on teaching writing to children in a cancer ward, or David J. Lawless’ brutal recollection of his wife’s descent into Alzheimer’s, “My Father/My Husband,” masterfully told almost entirely in dialogue. America’s education system is another pressure point for Brooks, who picks a clutch of pieces on the subject, the best being Garret Keizer’s straight-talking memoir of his time teaching poor elementary school kids, “Getting Schooled.” The downside of Brooks’ improvement agenda means humor is in short supply, notwithstanding Sandra Tsing Loh’s raucous meditation on menopause, “The Bitch Is Back.” Provocation and invention are rare too, though Mark Doty’s beautifully turned “Insatiable” savvily merges the friendship between Walt Whitman and Bram Stoker with the author’s own obsessions and fetishes. Other notable contributors include Francine Prose, Joseph Epstein, Malcolm Gladwell and Alan Lightman.

A trove of fine writing on big issues, albeit at the expense of more playful exemplars of the contemporary essay.

Pub Date: Oct. 2, 2012

ISBN: 978-0-547-84009-3

Page Count: 336

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview