by David Brown, Jr. ‧ RELEASE DATE: Jan. 1, 2016
Through the worst possible means—his daughter’s abduction—a father uncovers a great deal about life and himself in this...
A distraught young parent learns a set of valuable lessons by writing letters that his missing child may never read.
Brown’s nonfiction debut unfolds steadily in a partially epistolary form. In each chapter, he atmospherically describes a different point in his arc—growing up, his family, his work experience, etc.—and then shifts narrative voice and indulges in ruminations on the kinds of life lessons those events could be used to teach. The lessons take the form of eight principles, the Heart Principle, the Acceptance Principle, and so on, and they aren’t presented solely as messages for a general readership. They have a particular audience in mind: Lucia, the daughter Brown had with a woman named Jolie, an Uzbekistan native who relocated to America. Each chapter begins with a letter to Lucia, followed by a slice of Brown’s autobiography and an elaboration of whichever principle he sees as foremost in the events he’s just related (each section ends with a series of questions). Readers quickly learn why a father needs to write letters to his daughter, and why Brown often alludes to a vast distance separating him from the most important person in his life: at a tense juncture in their marriage, Jolie decided to leave the country—and take Lucia with her. The child suffered from a neck ailment, and Jolie’s conviction that she could obtain better treatment overseas added the final stress to a strained marriage; suddenly Brown discovered that they were gone. He was floored, and even once he rallied, the prospect of legally regaining his daughter seemed costly and remote. The author’s life principles are somewhat bland commonplaces (they include the Compassion Principle, the Forgiveness Principle, and the Gratitude Principle). And the “reflection questions” that end each chapter seem designed for group use. In the “Acceptance” chapter, Brown asks: “Is there an event that has happened in your life that would offer relief to you if you put it into a place of acceptance right now?” But his application of the principles to his own life while going through an intense ordeal that’s the stuff of parental nightmares makes for gripping reading. Eventually, Brown muses: “It is my deepest desire that the heartbreak that the three of us have felt will evolve into heart openings, expanding our empathy, compassion, and sensitivity.”
Through the worst possible means—his daughter’s abduction—a father uncovers a great deal about life and himself in this engrossing work.Pub Date: Jan. 1, 2016
ISBN: 978-1-63393-195-4
Page Count: 154
Publisher: Koehler Books
Review Posted Online: Aug. 4, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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