Sometimes arid, but useful for Tchaikovsky completists, as well as patient listeners hoping to expand their knowledge of the...
A broad survey of the Russian composer’s life in the context of his major works, and vice versa.
Pyotr Tchaikovsky (1840–93) wrote musical works that remain current today, some having been appropriated for commercials (such as the 1812 Overture) and made into seasonal standards (such as the Nutcracker Ballet). As Brown (Musicology/Southampton Univ.; Tchaikovsky, 1992, etc.) shows, listeners owe those works to some good luck and chance encouragement, for Tchaikovsky trained as a lawyer and seemed destined for a career somewhere along the long corridors of the tsarist Ministry of Justice. Desperate to escape suffocation there, he enrolled in classes taught at the Russian Music Society and quickly impressed his teachers and fellow students with works that would in some instances reemerge in maturity, such as “an orchestral piece, Characteristic Dances, which Tchaikovsky would later rehabilitate into his first opera, The Voyevoda.” The budding composer also grappled with questions of sexual identity, and Brown offers a cautious view on that confusion, which Tchaikovsky apparently hoped to remedy by marrying. His union was unhappy, the increasingly famous composer depressive; Brown traces moods and moments throughout the major works, identifying the circumstances of composition and offering suggested listening alongside a given life episode, which begs for a bundled CD. Brown also offers measured and quite learned musical criticism, arguing, for instance, the relative merits of certain pieces, as with The Sleeping Beauty, which is “as focused as can be, with a far smaller proportion of purely decorative dancing such as dilutes Swan Lake, with a scenario that is consistently as ‘dramatic’ as possible, and with a composer who now had all the insight and skill demanded by such a challenge.”
Sometimes arid, but useful for Tchaikovsky completists, as well as patient listeners hoping to expand their knowledge of the great composer’s work.Pub Date: April 21, 2007
ISBN: 1-933648-30-9
Page Count: 512
Publisher: Pegasus
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2007
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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