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BRIGHT STAR

An engrossing tale of a fictional star’s memoir and her puzzling fate.

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In this historical mystery, a Hollywood screenwriter digs into the past of a relative—a silent-era movie star whose disappearance nearly a century ago remains unexplained.

In 2014, writer Elliott Farr, who’s still fairly new to Hollywood, agrees to research early, influential personalities of the silver screen for a film producer. He quickly zeroes in on Catherine Farr, his great-great-aunt, a movie actress who was famous in the 1910s, when many filmmakers were producing pictures in Chicago. Catherine’s life is a mystery; she vanished in 1920, and her lover, movie director Toby Swanney, claimed that he killed her accidentally. But authorities never found a body or officially charged Swanney, who later recanted. Catherine was a striking actress who first appeared onscreen in 1912, and she quickly proved to be an inspired writer and director as well. She constantly challenged people with her movies, tackling such topical issues as women’s suffrage and racism in America. But although Catherine monetarily supported her family, who lived on a Palatine, Illinois, farm, she and her “judgmental and envious” Uncle Aran often clashed. While investigating his ancestor’s fate, Elliott finds a few surprises, including a woman who died in the late 1950s who may have been Catherine, though using an alias. Smith’s tale oscillates between various moments in Catherine’s life and Elliott’s present. Much of Catherine’s story resembles a formal, generally neutral biography, often simply detailing plots of her extensive filmography. However, as the narrative progresses and Catherine’s work becomes more political, Smith, the author of Robert E. Howard (2018), effectively and appropriately dramatizes the struggles that she faces, both as a woman and as a filmmaker. The early-20th-century time period is particularly vivid in its historical details, which include real-life films and stars as well as a reference to the 1918 influenza pandemic. The mystery, meanwhile, is sound, particularly in the novel’s latter half, which offers readers more than one well-earned shock.

An engrossing tale of a fictional star’s memoir and her puzzling fate.

Pub Date: Dec. 2, 2019

ISBN: 978-1-68390-240-9

Page Count: 354

Publisher: Pulp Hero Press

Review Posted Online: Feb. 3, 2020

Kirkus Reviews Issue: April 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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