by David Cannadine ‧ RELEASE DATE: Nov. 1, 1998
Short, occasional pieces that are best ingested in small bites. Cannadine, professor of history and director of the Institute of Historical Research at London University, is one of the foremost historians of modern Britain. His Decline and Fall of the British Monarchy and Aspects of Aristocracy prove him to be a sharp analyst of those anachronistic institutions. Because of his chosen subject matter, his work often has overtones of twilight and nostalgia with just a shadow of decadence (in the British sense) thrown in for good measure. This collection of short pieces is no different, except that it focuses on personalities rather than institutions. It is, in the words of the author, an “unavoidably and unapologetically festive and high-spirited book.” The essays—all composed over the last decade—were originally for such publications as the London Review of Books, the New York Review of Books, the New Republic, the New Yorker, and the Times Literary Supplement. They are loosely grouped into three sections, “Royals in Toils,” “Hindsight’s Insights,” and “Persons and Personalities.” Their greatest strength lies in Cannadine’s insistence that even the most current events (e.g., the death of Princess Diana) must be seen through the prism of history. Far more insightful than the usual essay, yet mercifully brief, they are history lessons with a light touch. From the monarchy to suicide to intellectuals and class, the British sense of style, decorum (or lack thereof), and form constantly remind the reader why the British consider themselves aloof from the “Continent.” American readers will be interested in Cannadine’s pairing of Thatcher-Major with Bush-Clinton, but will perhaps be left a bit adrift on the discussions of the historian A.J.P. Taylor or Lord Beaverbrook. Some attempt at tying these many threads together would have been helpful, and the title is just slightly pretentious, sounding like an echo of Winston Churchill. Entertaining and enlightening.
Pub Date: Nov. 1, 1998
ISBN: 0-300-07702-5
Page Count: 288
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
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edited by David Cannadine
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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