Polished writing and deeply engaging characters carry the reader through the sometimes murky intricacies of third-world...
Complicated personal agendas get snagged in the politics of a volatile Central American country.
Jude McManus, a recent arrival in El Salvador, meets fellow American Eileen Browning on a beach, and the mutual attraction is apparent to both. Browning is doing postdoctoral work in cultural anthropology and is familiar with dangerous local power brokers. Jude, 27, works as an “executive protection specialist,” i.e., bodyguard, shadowing an American hydrologist named Axel Odelberg. In the wake of rising gang violence and a compromised police force, many outside “advisors” are working with foreign developers (Corbett—Done for a Dime, 2003, etc.—makes explicit the parallels between Iraq and El Salvador). Unexpectedly, Jude runs into Bill Malvasio, his father’s old partner in the Chicago Police Department. Their past is messy; Jude’s father took the fall for corruption while Malvasio and a third cop named Phil Strock got off scot-free. Teenaged Jude left shortly after to join the army, and his father died a year later under suspicious circumstances. Until that time, Jude considered Malvasio a second father. Malvasio hires him to bring Strock back from the States for a business proposition. Jude doesn’t bury his qualms, but puts them aside to fulfill the job. Strock, however, tells a very different story, casting Jude’s dad as a hero and Malvasio a rat. Complexity and scope expand when Jude returns to El Salvador with Strock. The story unfolds from multiple perspectives, with Jude’s romancing of Eileen hitting speed bumps due to her possible association with local terrorists; Malvasio having his long-awaited showdown with Strock even as his careful plans with local law and military threaten to crumble; and the FBI taking aggressive interest in all involved.
Polished writing and deeply engaging characters carry the reader through the sometimes murky intricacies of third-world politics. An extensive bibliography, glossary, map and essay outlining the story’s roots (both literary and sociological) are included.Pub Date: March 6, 2007
ISBN: 0-8129-7733-5
Page Count: 448
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.
A supposedly recovering alcoholic real estate agent tells her not-exactly-trustworthy version of life in her small New England town in this tragicomic novel by Leary (Outtakes from a Marriage, 2008, etc.).
Sixty-year-old Hildy Good, a divorced realtor who has lived all her life in Wendover on the Massachusetts North Shore, proudly points to having an ancestor burned at the stake at the Salem witch trials. In fact, her party trick is to do psychic readings using subtle suggestions and observational skills honed by selling homes. At first, the novel seems to center on Hildy’s insights about her Wendover neighbors, particularly her recent client Rebecca McAllister, a high-strung young woman who has moved into a local mansion with her businessman husband and two adopted sons. Hildy witnesses Rebecca having trouble fitting in with other mothers, visiting the local psychiatrist Peter Newbold, who rents an office above Hildy’s, and winning a local horse show on her expensive new mount. Hildy is acerbically funny and insightful about her neighbors; many, like her, are from old families whose wealth has evaporated. She becomes Rebecca’s confidante about the affair Rebecca is having with Peter, whom Hildy helped baby-sit when he was a lonely child. She helps another family who needs to sell their house to afford schooling for their special needs child. She begins an affair with local handyman Frankie Getchell, with whom she had a torrid romance as a teenager. But Hildy, who has recently spent a stint in rehab and joined AA after an intervention by her grown daughters, is not quite the jolly eccentric she appears. There are those glasses of wine she drinks alone at night, those morning headaches and memory lapses that are increasing in frequency. As both Rebecca’s and Hildy’s lives spin out of control, the tone darkens until it approaches tragedy. Throughout, Hildy is original, irresistibly likable and thoroughly untrustworthy.
Despite getting a little preachy toward the end, Leary has largely achieved a genuinely funny novel about alcoholism.Pub Date: Jan. 15, 2013
ISBN: 978-1-250-01554-9
Page Count: 304
Publisher: St. Martin's
Review Posted Online: Oct. 14, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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