Next book

DIE TO LIVE AGAIN

An imaginative sci-fi survival tale built around a cautionary, uncompromising war story.

A young woman finds refuge in an underground bunker during a nuclear war and then emerges to live on the ruined Earth in this post-apocalyptic novel.

Tanya Gray is about to start graduate school, but a dire warning arrives in a phone call from her dad. World War III has started, and the world’s nuclear powers have begun annihilating civilization. Tanya flees in her car, and then begs to be taken into an armored military vehicle. It deposits her at the Crystal Temple, an underground shelter that houses about 2,000 survivors, one of six operational structures in the United States. Run by the iron-fisted Gen. Douglas Pierce, the Crystal Temple is a comfortable and organized facility under military rule. Tanya is assigned kitchen and nursing duties, and soon begins seeing a guy named Jack Mitchell. Some thugs try to rape Tanya, but she defends herself against the brutal attack, and the perpetrators are tried and executed in a public hanging. Impressed by Tanya, Pierce gives her an intelligence job, reporting on possible traitors inside the community. While the nuclear winter kills scores of people above ground, a plot against the tyrannical Pierce is brewing, in part because the chief medical officer, Dr. Nathan Herring, is conducting bizarre experiments on survivors. Tanya and Jack are banished to the surface after their involvement in the plot is exposed, and there the effects of radiation sickness soon take hold. People now share the planet with panthers, humans who have evolved, thanks to a glowing tree, into 7-foot-tall creatures that are immune to radiation poisoning. Tanya finds that the panthers may hold the key to saving humanity in the midst of an ongoing world war. Crane’s (Makers of Destiny, 2017, etc.) nuclear holocaust novel is a sweeping political tale, full of both personal and international conflicts, while digging into some deeper questions about society and what it means to be human. Tanya is a savvy, intelligent protagonist with plenty of initiative and enough emotional capacity to love, even in the face of catastrophe. The reassuring and then sinister reality inside the Crystal Temple is characterized in a plausible manner. But while the fantasy elements in the second half of the book are intriguing, they are weakened by some overwriting and the invention of a convenient miracle serum.

An imaginative sci-fi survival tale built around a cautionary, uncompromising war story.

Pub Date: Oct. 17, 2013

ISBN: N/A

Page Count: 334

Publisher: Foremost Press

Review Posted Online: Sept. 14, 2017

Awards & Accolades

Likes

  • Readers Vote
  • 564


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 564


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 141


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 141


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview