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THE KINDNESS OF SISTERS

ANNABELLA MILBANKE AND THE DESTRUCTION OF THE BYRONS

For die-hard Byron fans only.

A disappointing biography of the two most significant women in Byron’s life: wife Annabella and half-sister Augusta, who was also his lover.

Crane (Lord Byron’s Jackal, 1999) argues that Lady Byron and Augusta Leigh were bitter enemies because each made the mistake of loving the poster child for English Romanticism’s destructive tendencies. Byron seduced them both, then left both high and dry. In a sense, he married Annabella in 1815 to escape his incestuous passion for Augusta, but in fact he was happier flouting convention than living the married life, especially when that life involved responsibility for children and the mountain of debt he’d accumulated as a bachelor. Annabella realized early in their marriage that she was doomed to unhappiness, while Augusta distanced herself from the love of her life. Rumors of Byron’s affair with Augusta circulated at around the same time he left England for the continent, ruining both their reputations. Crane’s account of all this is competent enough until the narrative comes to a screeching and improbable halt smack in the middle with a fictional account of a meeting between the two women more than 25 years after Byron’s death. Although it serves the author’s purpose of clearly presenting Annabella and Augusta’s relationship of mingled animosity, love, and respect, this character development comes too late and offers too little. Written in an irritating script format composed only of dialogue and notes approximating stage directions, the interlude is stylistically intrusive and psychologically incredible. The restrained emotion and deep insights Crane attributes to both women are more annoying than persuasive, their dialogue is absurd: “You knew that, knew that even if he could escape your malice . . . then you could enjoy all the satisfaction of virtuous revenge,” intones Augusta. It’s hard to believe anyone ever talked in such a manner, even in the mid-19th century.

For die-hard Byron fans only.

Pub Date: Sept. 26, 2002

ISBN: 0-375-40648-4

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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