Next book

THE PALE-FACED LIE

An extraordinary remembrance that’s both gut-wrenching and inspiring.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A writer recollects an astonishingly dysfunctional childhood under the violent, criminal tyranny of his father. 

According to debut author Crow, his father, Thurston, was as intelligent as he was dangerous—apparently the bearer of an uncommonly high IQ, he was also alarmingly volatile. Thurston spent time in prison for nearly beating a man to death and often bragged about other murders he committed or planned to perpetrate. He was also an unrepentant thief who recruited the author to be his accomplice in crime. When Crow was not yet 4 years old, Thurston confided in him that he would soon get rid of Thelma Lou, the author’s mother. Thurston finally forced Crow to orchestrate their abandonment of her. Thelma Lou was mentally disturbed, and her combination of incompetence and motherly negligence consistently endangered her children. The author idolized his father, nevertheless, and pined to become “smart and strong and brave” just like Thurston, sometimes perversely winning his praise for ungovernable mischievousness. Crow struggled at school—he was diagnosed with dyslexia—but still managed to graduate from college and eventually win a position with the U.S. Department of Agriculture administration. But Thurston’s madness continued to haunt the author—his father tried to pull Crow’s sister, Sally, into a conspiracy to commit a crime. The author finally felt the need to stop his father and found the courage to try. Crow’s memoir is cinematically gripping—the depth of Thurston’s sociopathic depravity is as riveting as it is repulsive. The author deftly relates that his father conceived the conspiracy with cunning cynicism: “Dad’s logic was simple: He knew that if he involved Sally…she would ask for my help, even when she swore to keep silent. And he knew that I wouldn’t let anything happen to Sally.” Crow writes with confessional frankness and affectingly depicts a childhood lost to emotional and physical abuse. He also thoughtfully captures life on a Native American reservation—Crow partially grew up on a Navajo one.

An extraordinary remembrance that’s both gut-wrenching and inspiring. 

Pub Date: May 7, 2019

ISBN: 978-0-9974871-7-6

Page Count: 352

Publisher: Sandra Jonas Publishing House

Review Posted Online: July 12, 2019

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview