An imaginative fantasy that has fun weaving together folklore, medicine, and ancient curses, providing a fresh twist on a...
In Di Paolo’s debut fantasy, a family secret and a mysterious curse lead a skeptic on a whirlwind journey into Italy to discover the real truth.
Dr. Diana Valleverde is a woman of science, but her deep-seated convictions are about to be challenged. Her brother Marco, a curator at the University of Philadelphia Museum of Archaeology, is working on an exhibit about the long-lost Mi’Ki’Passa Native American tribe, whose surviving members are only now stepping into the public eye. He’s convinced the museum is haunted. Diana doesn’t believe in hauntings, but her mind starts to change when she meets Hannah, a Mi’Ki’Passa med student with unexplainable abilities. When Diana travels to Italy for a conference and brings along a mysterious box that belonged to her late grandmother, all hell breaks loose. She begins having episodes of sleep paralysis involving menacing hallucinations, she discovers that a curse was put on her as a child, and a stranger threatens her brother’s life unless Diana turns over the box. Soon after finding herself back in the Italian village where she was born, she’s surprised to discover that her medical degree may have more to do with all of this than she thought. Although there are a lot of story elements to take in, Di Paolo deftly weaves the various plot threads together, creating an enjoyable, well-crafted mystery that whisks the reader from Philadelphia to Milan to a small village in the Italian mountains, all while exploring both Italian and Native American folklore. The fantasy elements, which are subtly teased out until the end, may occur a bit abruptly for some readers’ tastes—and the idea of magical Native Americans is well-trodden—the journey makes for a fun read. Diana’s a compelling main character who strikes just the right balance between Mulder and Scully.
An imaginative fantasy that has fun weaving together folklore, medicine, and ancient curses, providing a fresh twist on a classic formula.Pub Date: Nov. 24, 2014
ISBN: 978-0-9905596-3-4
Page Count: 284
Publisher: SDP Publishing
Review Posted Online: Sept. 15, 2015
Kirkus Reviews Issue: Nov. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
This vibrant, thoughtful book from Katz (Over the Moon, 1997) continues her tribute to her adopted daughter, Lena, born in Guatemala. Lena is “seven. I am the color of cinnamon. Mom says she could eat me up”; she learns during a painting lesson that to get the color brown, she will have to “mix red, yellow, black, and white paints.” They go for a walk to observe the many shades of brown: they see Sonia, who is the color of creamy peanut butter; Isabella, who is chocolate brown; Lucy, both peachy and tan; Jo-Jin, the color of honey; Kyle, “like leaves in fall”; Mr. Pellegrino, the color of pizza crust, golden brown. Lena realizes that every shade is beautiful, then mixes her paints accordingly for portraits of her friends—“The colors of us!” Bold illustrations celebrate diversity with a child’s open-hearted sensibility and a mother’s love. (Picture book. 6-8)
Pub Date: Sept. 1, 1999
ISBN: 0-8050-5864-8
Page Count: 28
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
It's all quite entertaining and memorable.
Here, Follett sets the thrillers aside for a long, steady story about building a cathedral in 12th-century England.
Bloodthirsty or adventure-crazed Follett readers will be frustrated, but anyone who has ever been moved by the splendors of a fine church will sink right into this highly detailed but fast-moving historical work—a novel about the people and skills needed to put up an eye-popping cathedral in the very unsettled days just before the ascension of Henry II. The cathedral is the brainchild of Philip, prior of the monastery at Kingsbridge, and Tom, an itinerant master mason. Philip, shrewd and ambitious but genuinely devout, sees it as a sign of divine agreement when his decrepit old cathedral burns on the night that Tom and his starving family show up seeking shelter. Actually, it's Tom's clever stepson Jack who has stepped in to carry out God's will by secretly torching the cathedral attic, but the effect is the same. Tom gets the commission to start the rebuilding—which is what he has wanted to do more than anything in his life. Meanwhile, however, the work is complicated greatly by local politics. There is a loathsome baron and his family who have usurped the local earldom and allied themselves with the powerful, cynical bishop—who is himself sinfully jealous of Philip's cathedral. There are the dispossessed heirs to earldom, a beautiful girl and her bellicose brother, both sworn to root out the usurpers. And there is the mysterious Ellen, Tom's second wife, who witnessed an ancient treachery that haunts the bishop, the priory, and the vile would-be earl. The great work is set back, and Tom is killed in a raid by the rivals. It falls to young Jack to finish the work. Thriller writing turns out to be pretty good training, since Follett's history moves like a fast freight train. Details are plenty, but they support rather than smother.
It's all quite entertaining and memorable.Pub Date: Sept. 7, 1989
ISBN: 0451225244
Page Count: 973
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 23, 2011
Kirkus Reviews Issue: Aug. 15, 1989
BOOK TO SCREEN
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