BEYOND THE DOOR OF NO RETURN

A mesmerizing tale.

In French colonial Senegal, a young, soon-to-be-eminent French botanist becomes obsessed with a mysterious woman sold into slavery who escaped to freedom.

Michel Adanson journeyed to Senegal to catalog new fauna and flora for “Universal Orb,” his magnum opus. A half-century later, following his death in 1806, his daughter, Aglaé, discovers his hidden notebooks, which document his intense experiences on and around the island of Gorée. Life will never be the same for him after he learns of Maram Seck, known as “the revenant,” who is said to have miraculously “returned alive from beyond the seas, from that land where, for slaves, there is no return” and disappeared on Senegal’s Cap-Vert. Consumed by Maram’s story, Adanson and his guide endure harsh conditions to find her, and when they do, they learn that her painful tale is very different from the face-saving version told by her uncle Baba Seck, a village chief. When she was 16, he sold her to a white man for a musket after she bashed him unconscious during an attempted rape. Overwhelmed by her natural beauty, spiritual strength, and beguiling use of the nontonal Wolof language, Adanson falls helplessly in love with her. But fearful that he will never be worthy of her love, he ultimately exposes the traits that make that so. Less brutal than Diop’s International Booker Prize–winning At Night All Blood is Black (2020) but no less powerful, the new book takes its title from the familiar name for the place on “the island of slaves” where millions of Africans were shipped to the Americas. With its sumptuous physical descriptions, shades of language, and smooth overlap of truth and invention, this is masterful storytelling. The ease with which the narratives (including Aglaé’s) unfold belies the emotional force they gather.

A mesmerizing tale.

Pub Date: Sept. 19, 2023

ISBN: 9780374606770

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

WELLNESS

A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.

A bittersweet novel of love gained, lost, and regained over the course of decades.

“They stare across the alley, into dark apartments, and they don’t know it, but they’re staring at each other.” It’s not an outtake from Hitchcock’s Rear Window but instead the wistful longings of two lonely people. Jack Baker, newly arrived in Chicago from Kansas in the 1990s, is a talented photographer who bristles when practical-minded people ask him what his work is about—to say nothing of why he works with Polaroids, which, a hipster friend reminds him, “are mass-produced, instant, cheap, impermanent.” Yes, and that’s the point, for though Jack comes from the windblown prairie, he’s pretty avant-garde. Elizabeth Augustine is a quadruple major at DePaul, “five majors if you count theater, which I have no talent for but enjoy nonetheless,” and exactly the woman Jack hoped he would meet. Life proceeds: That arty hipster becomes a real estate mogul who plants them in a development very much outside their price range until Elizabeth pulls down the big bucks from the psychological research firm that gives Hill’s latest its simple title. “Basically they were a watchdog group, a subcontractor for the FDA and FTC, sniffing out bullshit,” Hill writes, but Elizabeth, scraping by while Jack pulls down pennies as an adjunct professor, discovers that there’s hay to be made creating bullshit rather than exposing it—making airplane seats narrower, for instance, and then selling once normal-sized seats at a premium. Hill romps through our soufflélike culture with a nice sendup of academic literature and broad jabs at memes ranging from organic food (“one-hundred-percent bioavailable”) to progressive parenting, open marriage, and cult behavior (“Elizabeth knew...that the thing that most effectively strengthened and deepened delusions was being surrounded by people who shared the same delusions”) while delivering a story that suggests that while love may not conquer all, it makes a good start.

A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.

Pub Date: Sept. 26, 2023

ISBN: 9780593536117

Page Count: 624

Publisher: Knopf

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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