Anyone who loves Paris will adore this joyful book. Readers visiting the city are advised to take it with them to discover...
Join Downie (Paris to the Pyrenees: A Skeptic Pilgrim Walks the Way of St. James, 2013, etc.) for a top-notch walking tour of Paris.
In search of what makes Paris romantic, the author takes us to the 19th century. Early on he notes that Paris may be romantic just because writers, artists and musicians say it is. But romanticism is not just literary or artistic; it’s also political. Throughout the 1800s, there was a host of activists who mocked the status quo. Victor Hugo based his play Hernani, about adulterous lovers and their unfortunate end, on true life, and as Paris audiences often did, they rioted, opening the war between romanticism and classicists. Throughout the book, the author shares his love of places that he has explored for 30 years. He recounts the lives and loves of Hugo, Dumas, Sand, Delacroix and so many others in the romantic shrines of the Marais, Luxembourg Gardens and the Arsenal Library. Literature of this age reflected the essence of romanticism, where chronology and logical plots were reactionary. The French are complex, ambiguous and contradictory by nature, and they are proud of their weaknesses and faults. Understanding the romantics requires understanding Paris, and searching for the real Paris is part of the journey. On that journey, Downie is the consummate guide. Reflecting on Foucault’s pendulum, the author writes, “the real Paris is of the mind, so it doesn’t exist and can’t age.” The author’s encyclopedic knowledge of the city and its artists grants him a mystical gift of access: Doors left ajar and carriage gates left open foster his search for the city’s magical story.
Anyone who loves Paris will adore this joyful book. Readers visiting the city are advised to take it with them to discover countless new experiences.Pub Date: April 28, 2015
ISBN: 978-1-250-04315-3
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Feb. 3, 2015
Kirkus Reviews Issue: Feb. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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