A diffident but ultimately entertaining exploration of a famous literary lacuna.
A debut historical novel fills a mysterious three-year gap in Emily Brontë’s Wuthering Heights.
As a young, Roma-looking orphan, Heathcliff is adopted by Old Earnshaw and taken to live with his family at their estate, Wuthering Heights. In this first section, Drum closely follows Brontë’s description of events: Heathcliff becomes nearly inseparable from Old Earnshaw’s daughter, Catherine, but is abused and eventually forced into a servant’s role by his son, Hindley. Years pass, and one night Heathcliff overhears Cathy claiming that it would “degrade” her to marry him; distraught, he flees the estate and vows that he’ll make himself into a rich gentleman worthy of the woman he loves. From there, the book imagines what might have occurred over the next three years, which remain curiously unexplored in the classic novel. The author offers the possibility that Heathcliff finds work as a sailor in the Atlantic triangle trade, voyaging from the western coast of Africa to Jamaica and back to England. Along the way, Heathcliff experiences the rough conditions of a life at sea, the allures and hazards of exotic cultures, and the horrors of the slave trade. He witnesses the greed and malice of powerful men and stays true to his own values as a consequence. But upon his return to England, he preoccupies himself with exterior matters, hoping to transform into a fashionable society man. It’s a credit to the author that direct lines and scenes from Wuthering Heights fit seamlessly into the overall narrative. Each locale is vibrantly rendered, from the ship’s tight quarters to the sprawl and seduction of Victorian London. Heathcliff himself appears somewhat less vivid, partly due to the tale’s detached tone and its focus on adventure over interiority. In some ways, the book openly depicts brutality, as in an effective scene where slaves are branded. But it also shies away from hints of Heathcliff’s personal cruelty, instead envisioning him as blandly compassionate, naïve, and heroic. As a result, 19th- and 21st-century framings coexist in ways both successful and distracting.
A diffident but ultimately entertaining exploration of a famous literary lacuna.Pub Date: Sept. 30, 2019
ISBN: 978-0-9911857-7-1
Page Count: 392
Publisher: Burning Books Press
Review Posted Online: Sept. 15, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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